This week’s artists integrate photography into their process.

*            *            *

1. In Luke Butler’s series “The End”, he paints THE END as a figure in a landscape. Removed from its narrative role, it is both familiar and strange. As a static image, it seems contradictory, absurd, and poignant – an anti-picture at Charlie James Gallery
2. Lee Jeonglok’s Palette of Light at Kwanhoon Gallery
3. The word Se means fate, fortune and destiny. Within this theme, El Antsui explores three states of mind: affirmation, intimation, and revelation through the form of hundreds of liquor bottle tops woven into a tapestry-like sculpture at Axel Vervoordt
4. Emerson Cooper relentlessly collects vintage photographs and Victorian cabinet cards. He transforms them into meticulously constructed, psychologically charged artworks by using a mix of thread, paint, collage or digital manipulation at Muriel Guépin Gallery
5. The six artists in Frameshift collide with and attempt to negotiate the technical image as encoded by the camera at Denny Gallery
6. The photographs of Tim Parchikov’s series “Burning News” show the problem of how the human consciousness reacts to the flow of information – being constantly bombarded by the ‘hot news’ until it reaches a critical point at | PRISKA PASQUER