At first glance, last week’s New Yorker cover by Kathy Osborn seems like a cute parody on rabbits, Easter and Grant Wood’s infamous 1930 farmer portrait. The idea of a family tree composed entirely of bunnies, captured in stylistic unison is humorous, charming and rather surreal. A year ago, Bergdorf Goodman’s window display revealed a wall of hand painted bunnies framed against a green backdrop. Fast forward and we now have framed imagery from Hunt Slonem’s Manhattan oasis showcasing his own homage to the bunny world. Joe Zee, Elle’s Creative Director, always says, two times a coincidence, 3 times a trend, so we ask, are other adorable cuddlies going to continue adorning walls around the world or will these visual stories alternate as whims change and moods shift?