Pattern Pulp

Tuesday’s Gallery Picks




This week’s artists come together to contemplate differing realities.

*            *            *

1. Look up here, I’m in heaven, a group exhibition of unconventional portraits featuring paintings, works on paper, and mixed-media work by David Antonio Cruz, Yashua Klos, Tschabalala Self, and Yoon Ji Seon. While cultural and political realities are central elements of the work on view, the artists create imagery that aims to transcend the here and now to establish a more transcendent sense of self at BRIC House
2. Maryrose Crook draws on traditions of surrealism, still life and folk art creating worlds where beauty and brutality exist in close proximity at La Luz de Jesus
3. Group show School’s Out aims to capture that same sense of freedom – of playfully breaking from the ordinary and letting the imagination run wild at Mike Weiss Gallery
4. Aaron Frisby and Lane Cyril Mountain’s newest works at Seeing Something Gallery
5. An examination of the profound physical and emotional impact of violence in America, particularly against women at Paradigm Arts
6. At once charming and provocative, Michael De Feo reinterprets and embellishes the existing imagery in a novel spin for the age of appropriation at Danziger Gallery

Tuesday's Gallery Picks




gallerypicks_patternpulp131

Our artists examine the art of disguise in this week’s gallery picks.

*            *            *

1. Inspired by the medieval trial of Joan of Arc, the treason of anti-Nazi activist Sophie Scholl, and the contemporary punk prayer of Pussy Riot, Maureen Selwood’s Sounding the Note of A grapples with the uncompromising feminine. Selwood extols the power of sensuality and thought to transcend violence at Rosamund Felsen Gallery
2. Edgar “Saner” Flores’ Fragments of the Soul explores what we have left behind in life and exposes the small, secret parts to our souls at Philly Magic Gardens
3. While the new body of work in Mona/Marcel/Marge draws a clear line to Martha Wilson’s work from the 70’s through today, her work and attitude has evolved from what Wilson describes as “the concerns of a young woman to the concerns of an old lady,” and sees her turning an eye to the way in which the public gaze projects social values onto women as they grow older at P.P.O.W
4. Disguise features works by twelve contemporary artists from Africa and of African descent who explore the impulse of disguise with optical illusions, street actions, computer magic, and virtual reality. Together these works will engage visitors’ imaginations as they consider the art of masking as a transformative process – one that is informed by a multiplicity of influences, from historical African masquerade traditions to contemporary global culture and digital media at Fowler Museum
5. Erik Olsen’s Düsseldorfer portraits of his classmates in Peter Doig’s class at the Kunstakademie Düsseldorf at Bravin Lee
6. Through the Yoon Ji Seon’s violent destruction and radical reconstruction of her image,Rag Face confronts controversial issues such as the status of women in Korean culture and the increasing popularity of cosmetic surgery among its youth. In response to a society of growing sameness and emphasis on idealized beauty, Yoon actively takes command of her self-image, presenting herself as both powerful yet silent, concealed yet exaggerated, beautiful yet grotesqueat Yossi Milo Gallery.

 

Tracking Repetitive + Awesome.
On Instagram.