Pattern Pulp

Tuesday's Gallery Picks




gallerypicks_patternpulp140

Exploring overlaps and contrary concepts in this weeks gallery picks.

*            *            *

1. While the natural world plays a profound role in Matthias Meyer’s work, he achieves in its depiction a synthesis between the representational and the abstract. Both mysterious and revealing, the water’s surface reflects its surroundings while simultaneously drawing the viewer’s attention into the depths beneath at Danese Corey
2. “Pulling imagery and motif from organic form, architecture, media and design I create densely layered, mixed-media paintings that are invested in process and grounded in traditional craft. I’m interested in the overlap of nature and culture and the patterns present in both; the tension between them drives my exploration of color, surface and materiality.” – Nina Tichava at George Billis Gallery
3. Gao Rong has navigated notions of femininity and identity through domestic architectures in her previous series in which she created facsimile houses, rooms, and sites of memory rendered entirely in embroidered thread. Rather than romanticize the handicraft, however, Gao threads narratives together painstakingly through these embroidered fabrics, sometimes mimicking the act of suturing a wound. For her current solo exhibition, The Simple Line, Gao condenses this process into abstract hoops that dissect the tensions between formalist styles and traditional folk craft indigenous to female domestic life in China at Klein Sun Gallery
4. David Lefebvre manipulates his landscape paintings Galerie Zurcher
5. Rock and Refuge, Carol Es’ latest exhibition, will include her Joshua Tree paintings as well as a drawing installation from her ongoing Journal Project at Craig Krull Gallery
6. Tony Ingrisano’s practice draws inspiration from various infrastructure systems, from man-made power grids to naturally occurring river circuits. Ignoring their intended functionality, Ingrisano instead focuses on the beauty and rhythm found within their forms. The work presented in this exhibition furthers Ingrisano’s exploration of the aesthetic possibilities surrounding organizational systems by expanding into the theoretical. His interest lies specifically within geometric perspective and what a breakdown of the rules governing that perspective can add to the discourse about systems at Lesley Heller Workspace

Tracking Repetitive + Awesome.
On Instagram.