Pattern Pulp

Tuesday's Gallery Picks




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This week’s artists explore impact of chaos and mythology on their art creation.

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1. Keiichi Tanaami’s Visible Darkness/Invisible Darkness contains powerful images drawn from dreams and memories, most notably those from his experiences as a child during World War II at Sikkema Jenkins & Co
2. Aaron Morse’s various landscapes depict survival amidst a harsh ecology, the strangeness of inherited mythologies, and perspectives obtained from a distance at ACME
3. Franz Ackermann seeks to chronicle new urban realities and the ways in which they are perceived, at a time when both realities and perceptions are driven by ceaseless flows of tourists and information. His monumental paintings take the form of large exploded views that combine architectural elements with numerous Modernist references and abstract shapes in a burst of colors and materials at Galerie Daniel Templon
4. Dave McDermott continues his ongoing allegorical examination of the complexities of human nature and the societies we build to house them, the isolation inherent in those structures, and how we represent those ideas through art itself at Brenna Griffin
5. Erik Jones challenges viewers to see beauty in his chaotic, mixed-media works that merge nude subjects with nonrepresentational, abstract elements. Describing the human figures in his compositions as “aesthetic anchors,” they are the calming foreground upon which bursts of color, stenciled shapes and custom-made stickers create surreal landscapes at Jonathan Levine Gallery
6. Hope Gangloff is known for creating vibrant and truthful portraits of her friends as a way to share her view of modern American life. By capturing this generation of young adults in her illustrations and paintings, she documents this era’s struggle during these tumultuous times at Richard Heller Gallery

Tuesday's Gallery Picks




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Textile and texture abound in this week’s gallery picks, as our artists explore their materials and their culture.

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1. Omar Chacon latest show Las Mesalinas y Otros EnsayosLas Mesalinas y Otros Ensayos intertwines his heritage with his interest in classical Roman culture and myth. Chacon’s colorful and energetic configurations symbolize both the unity and diversity of the Americas, specifically Colombia, where he was born and raised and New York, where he currently lives at Margaret Thatcher Projects
2. A retrospective of Frank Stella’s prolific output from the mid-1950s to the present through approximately 120 works, including paintings, reliefs, maquettes, sculptures, and drawings at Whitney Museum of American Art
3. Hilary Harnischfeger presents wall-mounted and free-standing works composed of clay, plaster, paper, ink, and minerals in this exploration of the landscapes surrounding her work area in the Catskill Mountains. Referencing both the body and the landscape, these new works tend to be at odds with themselves, both raw and overworked, adroitly crafted and accidental, peaceful and violent at Rachel Uffner Gallery
4. For Dead Treez, Ebony G. Patterson assembled five eye-popping tapestries and a life-size figural tableau of ten male mannequins, dressed in a kaleidoscopic mix of floral fabrics. Meant to present a complex vision of masculinity, the installation is a meditation on dancehall fashion and culture, regarded as a celebration of the disenfranchised in postcolonial Jamaica at Museum of Art and Design
5. Jeffrey Gibson, who is half Choctaw and half Cherokee, creates sculptures and paintings that intermingle more traditional Native American art with contemporary art and culture. Almost all the works in the show contain text that are charged with personal meaning, elaborately embroidered in beadwork and testament that design can have content at Marc Straus
6. Sheila Hicks’ revisits and reimagines The Treaty of Chromatic Zones, a monumental bas-relief of pure pigmented fiber originally realized for Art Basel Unlimited in June of 2015. Hicks showcases the supple and flexible qualities of her materials, sometimes deconstructing and reassembling previously used entities to explore their infinite possibilities of form and movement at Sikkema Jenkins & Co.

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