Pattern Pulp

Tuesday's Gallery Picks




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This week’s gallery picks showcase abstractions and cultural roots.

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1. Emily Mason’s rhapsodies in oil, composed from luscious color orchestrations and graceful brushwork that together mark the confident hand of a masterful artist. Color is the primary means by which Mason’s paintings are structured. Its forms and shapes, veils and layers, darts and furls ripple across her canvases and comprise singular argots of painterly sensibility and sensation at LewAllen Galleries
2. The exhibition Empirical Intuitive Absorption explores the roots of abstraction Andrea Rosen Gallery
3. An exhibition dedicated to the re-evaluation and rediscovery of three fascinating personalities from art history who instigated a material language that continues to inform contemporary art today. Comprising over 100 key works from American and European museums as well as international private collections, the show offers new perspectives on Kurt Schwitters, Joan Miró and Hans Arp, as well as a deeper insight into Dada and Surrealism at Hauser & Wirth Zürich
4. With Secret File, Lance Letscher’s complex collages turn into coded messages and patterns at TAI Modern
5. Combining modern African Diaspora, the aesthetics of science fiction, urban vernacular, and the idioms of abstraction, David Huffman’s paintings interrogate the politics of race through the increasingly subtle yet potent iconography of the basketball at Roberts & Tilton
6. William Swanson investigates manipulations of terrain and architecture. His latest work moves further into abstraction as he allows the pools and puddles of paint and dried cracked surfaces to create the movement and texture at Eleanor Harwood Gallery

Tuesday's Gallery Picks




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This week’s gallery picks are full of quirk and wonderment.

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1. M.A. Peers’ new exhibition is a summation of the two idiosyncratic areas she has explored throughout her career — dog portraiture and painterly abstraction at Rosamund Felsen Gallery
2. In Ulrich Wulff’s most recent paintings, we are presented with a figure that has made reoccurring appearances in nearly all of his paintings for over a decade. This character, with it’s bulging, antenna-like eyes, embodies for Wulff a mutable, calligraphic, or even cartoonish attempt at self representation. Though it can be identified as a central actor in a narrative tableaux of sorts, it’s primary function is to orient the artist in the endless field of possibility that opens up any time a new painting is begun at TIF SIGFRIDS
3. David Shaw’s sculptural work mines the domestic and cosmic, nature and science, craft and fine art. Organic materials brushes against the machine made and the distinction between the two breaks down. It is in this state of entropy that Shaw finds release, if not radiance at Bailey Gallery
4. For WONDER nine leading contemporary artists created site-specific installations inspired by the Renwick. Together, these installations will turn the building into a larger-than-life work of art at Renwick Gallery
5. In Informal Arrangements, Michael Wolf juxtaposes an abstracted view of Hong Kong’s seemingly endless industrial facades with an intimate perspective from within its hidden network of back alleys, in a series of photographic typologies and vernacular sculptures.at Flowers Gallery
6. Leon Benn’s paintings are inhabited by participants, either person or animal, engaging in pleasurable activities within hallucinatory environments at Roberts & Tilton

Tracking Repetitive + Awesome.
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