Pattern Pulp

Tuesday's Gallery Picks




gallerypicks_patternpulp119

This week’s gallery picks explore the intertwined nature of environment, memory, and culture.

*            *            *

1. Observations in Nature is bound thematically by the metaphor of the shark. Influenced by philosopher Slavoj Zizek’s analysis of the film “JAWS” (1975), Abdul Mazid’s conceptualization of the shark refers to society’s tendency to insist upon the “othering” and villification of people, ideas, and practices at Shoshana Wayne Gallery
2. The Chosen Form of Your Destroyer is focused on a new series of mixed media works by Ian Francis depicting the coexistence of beauty and destruction in modern society at Lazarides Rathbone
3. My Dakota captures not just the state of South Dakota’s changing economy and landscape but also a personal catharsis. Rebecca Norris Webb came to understand the series as a means of addressing her grief for her brother—“to try to absorb it, to distill it, and, ultimately, to let it go.” at The Cleveland Museum of Art
4. Robert Minervini’ Invisible Reflections surveys six monuments in San Francisco’s Golden Gate Park. Each of the six paintings depicts one individual monument, but interwoven with this imagery are white line drawings which represent the memorial’s historical framework. Minervini’s work invites the viewer to become more engaged with the rich history of San Francisco, with the hope that it will inspire further inquiry into our surrounding environment at Rena Bransten Gallery
5. Inspired by Argentinian author Adolfo Bioy Casares’ 1940 novel, The Invention of Morel, the exhibition Memory Burn observes mortality and death in relation to recording devices. The title of the exhibition refers simultaneously to unforgettable visions burned in the mind and to digital burning used to archive memories.
at bitforms
6. FAILE, a Brooklyn-based collaboration between artists Patrick McNeil and Patrick Miller, raises questions about our relationship to consumer culture, religious traditions, and the urban environment by blurring the boundaries between fine art, street art, and popular culture at Brooklyn Museum

Tuesday's Gallery Picks




gallerypicks_patternpulp40

This week’s gallery picks highlight the process behind the artwork.

*            *            *

1. Betty Woodman’s evolving relationship with painting, the vase, and the history of ceramics at Gallery Diet
2. Matthew Weinstein’s art on library cards at Carolina Nitsch
3. This exhibition is the first large-scale installation of Xaviera Simmons’ ongoing Index series, photographic works whose core are found in the language of the sculptural at David Castillo Gallery
4. Derrick Adams’s work references the collages of the influential African American artist Romare Bearden and act as a continued development and ongoing exploration into envisaging a direct relationship between popular culture, aspirational American cityscapes and the persons, politics and issues of the African-American community at Hales Gallery
5. While Robert Minervini’s works function independently, they are reliant on each other to unravel a long-form narrative space that wraps around the gallery, inviting the viewer to experience the passage of space and time at Marine Contemporary
6. With multiple access points to an excess of information at any given time, artists who are working in one direction sometimes start working in another; the flow is brok and redirected toward a new and exciting place at Garis & Hahn

Tracking Repetitive + Awesome.
On Instagram.