Pattern Pulp

Art: Revolution in Blue




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Latifa Echakhch’s curent show at The Hammer’s Project embarks on a story of lost communication. Affixing hundreds of pages of carbon paper to a gallery wall, Echakhah has run a solvent over it, shedding the ink of it’s meaning. Her piece, À chaque stencil une revolution (for each stencil a revolution), uses the outdated mode of communication to reference its significant use in previous wars. Referring to both abstract expressionism and the signature blue of Yves Klein, the work forces us to reconsider the relationship between art and politics. Click here to read more.

Hammer: 10899 Wilshire Blvd, Los Angeles, CA 90024

 

Artist Profile: Patrick Moberg




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We were recently alerted to Patrick Moberg and his illustrative prowess by our dear friend Judy Prays. Moberg’s personality and point of view penetrates beyond his bright color palettes and lively illustrations. “He doesn’t seem to take himself too seriously and has a consistent output of cuteness that at times, like the November 4, 2008 piece, reaches heights of poignance while maintaining the simplistic charm that’s consistent throughout his work.” says Prays. Moberg has been on the New York media radar ever since his fearless feat of romance that brought him face to face with his MTA missed connection. Love life aside, we’re excited to see what’s next from this bright young artist, as the diversified and playful quality of his portfolio seems like a seamless fit for many mediums.

Art: Wave Interpretations




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Reinterpretations of the wave are the norm every summer season, so in honor of the weather, we’re highlighting four artists and their unique approach to the surf.  Caitlin Hinshelwood, a textile designer and illustrator from the UK, explores nautical themes ranging from anchors and Hokusai-like waves to sea urchins and starfish in her 2D gouache creations. Riding a massive wave of foam (and irony), our hairy meets hip favorite, Alexandra Cassaniti, introduces her summer catalog, Summer Bummer, with a colossal, hovering, tooth-like swell.  Moving into the literary corner, Tamara Shopsin, a frequent illustrator for The New York Times, communicates political content using a googly-eyed shark fin in her effort to convey the art of political distraction. Using a similar blue and white palette, Geoff McFetridge expresses surf etiquette with his marker drawing, Your Wave, My Wave.

Tracking Repetitive + Awesome.
On Instagram.