Pattern Pulp

Til Next Year…




Simon Beck-snowflakes

This past Fall, I attended a talk with Marina Abramovic at the 92Y. She discussed the art of patience in relation to repetition and monotony, the ability to do something over and over again to the point of total and utter boredom with the end goal of achieving something greater.

To illustrate her point, she suggested combining two bags of rice with opposing grains and shapes. Over the period of a week, the singular bowl must be divided into two. Imagine sitting for days, combing, inspecting and separating- it seems as tedious as recombining the faces of paper shreddings (an incredible scene from Argo, if you haven’t seen it). Anything you’ve been troubled by should be resolved upon the completion of the exercise.

These are the references that came to mind after stumbling across Simon Beck’s work last night. He creates his art in the Savoie Valley of France, where he walks miles in pursuit of a perfectly constructed prism. Up close, his steps appear disjointed and chaotic, though from afar, each marking is part of a mathematical equation- one that’s mind-bogglingly perfect. His ability to walk his algorithms from within, as opposed to administering from afar seems supernatural in today’s computer-filled world. Ants do this. Plants do this. People do this with the aid of tools, and rarely do you see feats this magnificant beyond the classroom, the lab or office in the name of art.

At varying times of the day, Beck’s patterns shift, following the sun and reacting to the shadows. The designs are fleeting, and may only last for a few hours…beautiful in the moment for few to enjoy…which reminds me Abramovic’s exercise to some degree.

I was really struck by these works, as was the internet- the post appeared in my Facebook feed several times today. This also wraps the year for me in a symbolic way. Hopefully you all slow down a bit (or speed up if you prefer), recharge and refresh over the holiday for the new year ahead. I leave for Vietnam today and will be back in early January, with a redesign to share with you all. Til then, take some time to explore the art of patience, I’d love to hear what you discover…

-Shayna

 

 

Pattern and Pitch with Nick Cave




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While many of you probably think we’re talking about this Nick Cave, we’re not, as his Chicago doppelganger is just as intriguing and has taken the US art world by storm over the past decade.  Cave’s wearable sculptures merge two of his favorite worlds: modern dance and found objects.  Each costume is named specifically for the sound it emits while worn and is comprised of organic materials, elaborate patterns and varied embellishments.  While Cave’s work has a touch of haute couture, it’s most reminiscent of ritualistic dressing.  Through his professional past at The Alvin Ailey Dance Company coupled with his now ten-year old fashion line, Cave makes sense of these two worlds in Recent Soundsuits, his latest exhibition at the  Jack Shainman Gallery. Each suit beautifully conceals the wearer’s identity, blurring gender and race while exaggerating sound and texture.  This anonymity provides a stepping stone into the “realm of dream and fantasy,” bringing new meaning to the sentiment of patterns having pitch.

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Each of Cave’s furry costumes look like couture versions of the famed monsters from Where the Wild Things Are, a cult children’s classic from the 60’s.  Take a look at the trailer for the highly anticipated film that’s releasing this Fall.

[youtube=http://www.youtube.com/watch?v=PwupTQt9zxY]

A short video documenting Nick Cave’s design process.

Additional contributions by Emily Gup.

Tracking Repetitive + Awesome.
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