Pattern Pulp

Tuesday's Gallery Picks




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Our artists are focusing on adventure and leisure time in this week’s gallery picks.

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1. Focusing on informal moments shared by friends and lovers,Nicole Eisenman’s paintings concentrate on interior spaces and those casual situations that occur only behind closed doors, be that of the studio, a New York apartment or a train compartment at Anton Kern Gallery
2. Marcel Dzama presents new film works, sculpture, and large format drawings alongside a walk-in installation at Sies + Höke
3. As a member of a generation of artists noted for their “return” to figurative painting, Jocelyn Hobbie has honed a formal inventiveness in which neoclassical figures with pensive expressions are depicted amid bold and striking patterns. Her heightened naturalism and enhanced degree of saturated color reveal an uneasy relationship to realism and firmly root these unusually psychological paintings in the age of post abstraction at Fredericks & Freiser
4. As life in America continues to distance itself from the countryside, vacations and travel are a time to reintroduce the self to nature. As summer approaches in America, this idolized time of year brings thoughts of travel, escape, and road trips. With individual freeways that stretch over 3,000 miles, taking the car across country reveals America’s boundless diverse landscapes, as travelers immerse themselves in America’s ever changing personality at Joshua Liner Gallery
5. In the party game Who’s Coming to Dinner? participants are asked to choose any number of dinner guests, famous or not, from any period in time, and imagine what the party would be like. Annelie McKenzie’s exhibition is her personal variation of that game, except that she has imagined a museum exhibition, choosing artists—famous or not, from any period in time–and they become her “Old Masters” at CB1 Gallery
6. When we think of Science Fiction and Fantasy Art, it is often the names like Frazetta and Hildebrandt that come first to mind. However, all along through the art history of the genre you have women such as Kinuko Craft, Mary Blair, Julie Bell, and many more who have been creating their own visual worlds and illustrating the worlds of authors, filmmakers, and game designers. For the first time, the work of women in this genre will be exhibited together in Point of Vision: Celebrating Women Artists in Fantasy and Science Fiction at Society of Illustrators

Tuesday's Gallery Picks




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In this week’s gallery picks, our artists explore the various ways of seeing the world around us and beyond.

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1. Canan Tolon’s paintings at first appear as purely abstract, but with time, the eye discovers familiar urban landscapes in the rhythmic painted streaks. She explores the visualization of space by creating an illusion of depth and engages the view in the game of seeking recognizable imagery and inventing a visual narrative at Von Lintel Gallery
2. Kate Shaw teases out an enduring fascination with interplanetary colonization and what it might mean. Following her travels from the frozen fjords of Iceland to the dense jungles of Costa Rica, Shaw presents here a series of imagined landscapes of the Red Planet at Fehily Contemporary
3. Penelope Umbrico allows the disorienting effects of the iPhone’s gravity sensor and the hallucinogenic effects of more than 500 camera app filters to break up, blend, distort, and de-stabilize the majestic peaks and summits that appear in the original photographs at Mark Moore Gallery
4. Judy Pfaff collages tree roots, limbs, honeycombs, and leaves with ambiguous biomorphic forms at Pavel Zoubok Gallery
5. Miya Ando uses her signature visual vocabulary—subtle gradations of form and color that capture moments in time—to explore impermanence. Hundreds of cascading Bodhi leaves change from green to yellow to orange and finally brown, alluding to momiji-gari, the Japanese tradition of traveling to scenic areas to view autumn leaves at Sundaram Tagore
6. Pedro Calapez ‘s latest exhibition meadow-curtain-round-broken line, offers a succinct overview of his fascination with spatial relationships, landscapes, and the significance of ways of seeing at Lynch Tham

 

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