Pattern Pulp

Tuesday's Gallery Picks




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Paper and every day materials reign in this week’s gallery picks.

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1. As the world becomes a more complicated and chaotic place, the appeal of miniatures as a means of both escape and commentary will likely endure for years to come at Apex Art
2. Pascale Marthine Tayou’s unique visual language is based on archetypes, made and found objects and traditional craft at Serpentine Galleries
3. Often working for weeks or months on individual pieces, Judith Scott used yarn, thread, fabric, and other fibers to envelop found objects into fastidiously woven, wrapped, and bundled structures at Brooklyn Museum
4. Works on paper from a bevy of talented artists at ACME
5. Fernando Mastrangelo’s NOTHING alludes to the endless possibilities of transformation in the common and everyday goods we have around us, providing hope for the possibility of aesthetic utility in what we overlook as banal at Mike Weiss Gallery
6. Paper Cut is a group exhibition featuring artwork by six artists who cut into, tear into, and deconstruct the humble, traditional medium of paper to explore the terrain of their subject matter at Subliminal Projects

Tuesday's Gallery Picks




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The artists in this week’s gallery picks explore ephemerality, chaos and reinvention.

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1. Mayme Kratz and Alan Bur Johnson’s works are concerned with permanence and ephemerality, flight and stillness, life and death, as encapsulated by the cellular systems and organic matter of the Arizona desert at Lisa Sette Gallery
2. Christiane Baumgartner’s work often has multiple meanings and relates to war and the environment at Alan Cristea
3. Troika’s “Cartography of Control” explores the roles that systems and serendipity play in contemporary life at Kohn Gallery
4.Pacific Sun derives from security-camera footage, circulated via YouTube, of the chaos inside a cruise ship weathering a storm in the South Pacific: chairs, tables, bottles, cartons, and people careened as the ship lurched. Intrigued by these complex movements, Thomas Demand decided to re-create the video, minus the people, by constructing and animating a life-size paper model at LACMA
5. Under 35: Part III is an exhibition of artists who create work that reinvents more traditional approaches to materials, compositions and concepts, representing an ever changing definition of art and how materials are used at Zane Bennett Contemporary Art
6. Patrick Jacobs’ “Come Closer to Me” – from Whitman’s Leaves of Grass – features sculpture, printmaking, and a room-sized installation. Jacobs investigates space, scale, and perception of reality, while working across media. Drawing inspiration from nature, historical landscape painting, popular home and garden culture, and the supernatural, he sets up contexts with inherent internal contradictions at Pierogi

Tracking Repetitive + Awesome.
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