Pattern Pulp

Artist Profile: Chyrum Lambert




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I recently got a note from the artist Chyrum Lambert, and subsequently fell into a fifteen minute vortex of collage and muted storytelling. Lambert lives in LA and creates beautiful textured layouts that appear abstract from afar, but get more directive the longer you stare. Using ink, dye, stain, acrylic, wax, epoxy, and oil, the works stand on their own, but simultaneous work as a collective unit.  Lambert’s style seems easily transferrable to fashion or editorial…I’d love to see his art grace the pages of The New Yorker or perhaps, even a Marni skirt.

 

Wagner & M.M. Lafleur's Bird of Fortune




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Off the heels of President’s Day, we thought we’d share a collaboration that hits an interesting cultural mark. Miyako, the creative director behind the women’s workwear brand, M.M. Lafleur, along with mixed media artist, Mark Wanger, have teamed up to create an impressive piece of wearable art.

http://www.youtube.com/watch?v=7OuvQvAgMy4

Made entirely from collaged currency, Wanger’s peacock entitled, Bird of Fortune, is a departure from his regular editorial and media collaborations. Merging masculine and feminine along with capitalism and anarchy, this monetary creation is a beautiful deconstructed piece, filled with innuendos. The elegant wrap and flow obscures the obvious, spurring interest and intrigue. We’re big fans. What do you think? Click here to explore and/or purchase.

 

Trend: Dotted Chaos




I’m a fan of circular symmetry just as much as the next designer, but when it comes to free form chaos, it can be really refreshing to just let loose. David Huffman’s done just that within a topographic landscape for Floating World #1, his mixed media on canvas piece that’s currently on display at the Patricia Sweetow Gallery.

Applying a similar layering technique with an explosive saturated palette, Yayoi Kusama’s latest project is just as eye-catching.

Pairing a white room with stickers and children, organized chaos creates a living, breathing installation.

The full pictorial set can be viewed on This is Colossal. It’s worth a visit, as the process is a nice reminder that beauty often has a singular focus.

 

Book Review: Fingerprint




When we first realized we could use technology to bend design, we all went crazy. After years spent in front of computer screen, a backlash has occurred, as a growing number of designers have been opting out of the digital territory for craftier aspirations.

Fingerprint: The Art of Using Hand-Made Elements in Graphic Design documents this change, showcasing a variety of designers that possess the versatility, variety and quality that can be acquired from tangible art. Pick up a copy and you may just be inspired to grab your pen, pencil or paintbrush.

 

San Francisco: Digital Embroidery




Ehren Reed‘s mixed media works have been making the internet rounds for a while now. Merging technology’s ethereal presence with the physicality of handmade craft, Reed stitches and embroiders maps, books and other found objects with the intent of solidifying pixelated media. Her upcoming show at the Edo Salon and Gallery in San Francisco investigates the interpersonal relationships society has with the internet and contemporary culture. For more info, click here.

Edo Salon & Gallery
: 601 Haight Street, San Francisco, CA 94117

Opening Reception: Sept 3, 8:30-11pm

Tracking Repetitive + Awesome.
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