Pattern Pulp

Tuesday's Gallery Picks




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Whether pulled from tradition or passion, we love the way these artists use color to express themselves and their worlds.

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1. Employing materials typical to Mali, namely woven and dyed cloths, hand-embroidered and stitched together, Abdoulaye Konaté draws on the West African tradition of using textiles as a mode of communication and commemoration at Blain|Southern
2. Beyond the aesthetics of the race, Brian Alfred explores the global threads that feed into making all aspects of the race possible. Depicting both pieces and scenes of tracks across the world, oil slogans, and referencing companies that contribute monetarily to the races, he broadens his global consciousness.at AMERINGER | McENERY | YOHE
3. Recognized for exceptional color intensity, William Pachner’s works often depict erotic and biblical themes. His drawings and paintings contain a paradox of meanings: the form, movement, and gesture affirm vitality, yet they are tinged with horror and violence. Loss and absence—of sight, family, and homeland, alongside the personal and artistic annihilation Pachner has faced—are represented in various configurations unique to each composition at Mindy Soloman Gallery
4. Alicia McCarthy’s energetic works weave together color, pattern and occasional lyrical or understatedly profound phrases. The artist is drawn to the discarded. Digesting the city’s landscape, ambivalent everyday items sheared from their original intent are re-appropriated into intimate art objects at V1 Gallery
5. Soaked, Not Resting will examine the different ways in which renowned Color Field painter Helen Frankenthaler and emerging artist Aimée Parrott negotiate the picture plane, looking in particular at both artists’ deployment of staining at Pippy Houldsworth Gallery
6. Chamberlain, De Kooning & Others at Allan Stone Projects

 

Tuesday's Gallery Picks




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Examining culture and custom in this week’s choice gallery picks.

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1. With a nod towards environmental issues and man’s permanent interference with nature, Lucy McLauchlan’s latest work is reminiscent of her engagement with the local community, uncovering moments where the two worlds collide and escaping walls of concrete and steel at Lazarides Rathbone
2. In the past, Lisa Kokin has incorporated readable text or text translated into form in her art. In her new work, she has substituted text for fragments of stripped-down zippers with (in her own words) “their attendant metaphors of concealment, closure and impenetrability.” at Seager/Gray Gallery
3. Charlie Smith explores Making/Unmaking at GRIN
4. Both delicate and fearsome, the traditional Chinese dragon kite embodies a mythical symbol of power. Ai Weiwei unfurls a spectacular contemporary version of this age-old art form at Alcatraz
5. Anna Fidler’s paintings celebrate the euphoric, rebellious and mythical while consciously contemplating the transformational qualities of ritual and landscape at Charles A. Hartman Fine Art
6. Jamex de la Torre states, “‘Folkloric’ refers to our interest in the Mexican vernacular; ‘acid’ represents our contemporary reinterpretations and utilization of new material technologies. In this body of work, we have explored tendencies to revisit our 60s and 70s flower child art roots with free-flowing images of beautiful and strange nature at Mindy Soloman Gallery

Tuesday's Gallery Picks




gallerypicks_patternpulp73This week’s artists create their work from an assemblage of objects and images.

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1. Drawing from the four pillars of design—shape, form, pattern, and color—each artist in the exhibition uses various medium and technique resulting in a range of works that expand upon thought-generative concepts that push against assumptions of design at CES Contemporary
2. X-O’s (also known as Hyland Mather) artwork is made of found, recycled objects, which he gathers while roaming streets of various countries, visiting urban areas and industrial scrap and waste fields at Masters Projects
3. The Clayton Brothers examine the mythos, culture, and visual language of an archetypal second-hand store located near their studio at Mark Moore Gallery
4. Cut/Copy/Paste presents three American artists who explore the boundaries of the contemporary collage and the re-appropriation of images at Beers Contemporary
5. “My art consists of abstract compositions that stem out of images of patterns mostly found in nature. Photographs are processed into mechanical drawings that are then transformed through the use of vinyl, paint, glue, resin, wood, found materials, and even recycled artwork” at Mindy Soloman Gallery
6. Examining the south through art at 333 Montezuma Arts

 

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