Pattern Pulp

Tuesday’s Gallery Picks




The artists in this weeks gallery picks use art to stretch their views of the natural world and time.

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1. Gabriel Orozco explores complex geometry, mapping, and anatomy in a creative, playful, and inventive manner at Aspen Art Museum
2. A master at translating belief and ritual into stunningly arranged strands of spun fiber, Ramón Medina Silva’s yarn paintings pulse with vivid depictions of the Wixárika cosmos at Fowler Museum
3. Embracing the Contemporary celebrates Keith and Katherine Sachs’ leading collection of contemporary art at Philadelphia Museum of Art
4. Jae Ko creates a site-specific installation entitled flow 流, the newest iteration in a series she calls “Force of Nature.” Inspired by visits to Newfoundland and the far northwestern reaches of the United States, Ko reconstructs the melting Tundra, with its floating, fractured glaciers at Contemporary Arts Museum Houston
5. For the past year, Cody Hudson has taken his elemental compositions, typically applied to birch panels, and translated them to stretched linen, augmenting their painterliness and deepening their relationship to a painting tradition. While remaining stylized and abstracted, his newest works are also indebted to portraiture and landscape painting, at times suggesting masks, sunrises, and still lifes at Andrew Rafacz Gallery
6. A Kingdom of Hours explores how artists disrupt sequential time – from biological rhythms to historical chronologies – to undermine rigid structures of belonging at Gasworks

Tuesday's Gallery Picks




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In this week’s gallery picks, women play the narrative.

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1. Susanna Bauer and Leigh Anne Lester’s muses are the found fallen leaves, and the buds of flowers that haven’t fully grown.  Marrying both human and nature again, their work is a tribute to nature at Muriel Guépin Gallery
2. Carrie Moyer’s Sirens explores and extends the legacy of American Abstraction while paying homage to many of its seminal female figures among them Helen Frankenthaler, Elizabeth Murray, and Georgia O’Keeffe. In Moyer’s compositions color is the sole character, playing every role: energy, matter, ooze, architecture, the cosmic and the cosmos. Through her use of gravity, velocity and stasis Moyer transforms and frees vivid primary hues to express new kinds of animation or fullness, which in turn propels Moyer’s ongoing exploration of her medium at DC Moore Gallery
3. Anna Elise Johnson collects official photographs taken during meetings between the leaders of the International Monetary Fund, World Bank, the U.S. State Department and various heads of state undergoing structural adjustment. Johnson’s acrylic sculptures structurally readjust the photographs that represent, support and solidify these imperial operations. at The Mission
4. Through nearly 100 works made by 34 artists over the past seventy years, this ambitious exhibition traces ways in which women have changed the course of art by deftly transforming the language of sculpture since the postwar period at Hauser Wirth & Schimmel
5. In new paintings and collages, Karen Kilimnik creates richly enigmatic narratives, inscribing her images with signifiers that obliquely reference histories of representation and myth. Mining the vernacular of tapestry reproductions of Baroque and Renaissance painting imagery, Kilimnik doubles down on the expressive potential of the reproduction, rendering her scenes with patchy brushwork and sprinkling her finished paintings with glitter, or adorning them with selections culled from from her library of idiomatic imagery at 303 Gallery
6. JOAN BROWN HERSELF is a survey of eleven self-portraits made between 1970 and 1980, the period during which Brown firmly established herself as an artist with a unique vision at CB1 Gallery

Tuesday's Gallery Picks




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Exploring the ephemeral with unique takes on traditional crafts and techniques .

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1. Victoria Reichelt’s paintings and Carly Fischer’s sculptures explore a common vocabulary around the precarious medium of paper at This is No Fantasy
2. Yusuke Asai paints with dirt, an ephemeral, living medium at Rice Gallery
3. The sculptures in Théâtre de la Mémoire are reminiscent of meticulously detailed dollhouses. Giai-Miniet views his boxes as a metaphor for the human condition, which is comprised of biological functions, as well as a desire to achieve intellectual and spiritual enlightenment. at Jonathan Levine Gallery
4. Celebrating 5 years of We Make Carpets’ ability to turn most anything into a stunning carpet at MU
5. Multi-generational in scope, Thread Linesbrings together those pioneers who—challenging entrenched modernist hierarchies—first unraveled the distinction between textile and art with a new wave of contemporary practitioners who have inherited and expanded upon their groundbreaking gestures at The Drawing Center
6. Cynthia Ona Innis explores environmental transitions and shifting terrains above and below the surface, from the geysers of Iceland to the fault lines of the Eastern Sierras through the manipulation and layering of textiles at Traywick Contemporary

Louise Bourgeois: The Fabric Works




Louise Bourgeois has been creating art since the 1930’s, but it was primarily in the 1990’s and beyond when she started incorporating the clothing of her loved ones into her sculptures and drawings. Her uniquely visual approach to fabric transforms decorative accessories into emotional and personal references, creating representations of womanhood.

In 2002, she began exploring the iridescent colors and formal structural properties of her own clothing, which resulted in “The Fabric Drawings.” These pieces are astonishing works alternating between floral figurative pieces and chromatic abstractions. Louise Bourgeois: The Fabric Works reflects the work from her solo show and goes beyond with its immersive collection of 300 sculptures, assemblages, and collages.

Fabric drawings via A Controlled Substance

 

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