Pattern Pulp

Tuesday’s Gallery Picks




This week’s artists examine the places in which opposing forces merge

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1. Rebecca Louise suspends 8,000 flowers from the ceiling in The Beauty of Decay at Chandra Gallery
2. Ori Gersht’s Flaunt “is about this new space created when the virtual and physical world are becoming absolutely united” at Kohn Gallery
3. David Hockney captured Yosemite National Park on his iPad at La Louver
4. Group exhibition Me and My Arrow at ZieherSmith
5. David Smith’s Form in Colour merges the concerns of two- and three-dimensional media at Hauser & Wirth
6. Radical Plastic is an opportunity to mediate on the idea of in-between-ness, and what it means to be in the middle of something as each artist proves adept at navigating fluid and liminal areas at CUE Art Foundation

Tuesday's Gallery Picks




gallerypicks_patternpulp93

The artists in this week’s gallery picks explore ephemerality, chaos and reinvention.

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1. Mayme Kratz and Alan Bur Johnson’s works are concerned with permanence and ephemerality, flight and stillness, life and death, as encapsulated by the cellular systems and organic matter of the Arizona desert at Lisa Sette Gallery
2. Christiane Baumgartner’s work often has multiple meanings and relates to war and the environment at Alan Cristea
3. Troika’s “Cartography of Control” explores the roles that systems and serendipity play in contemporary life at Kohn Gallery
4.Pacific Sun derives from security-camera footage, circulated via YouTube, of the chaos inside a cruise ship weathering a storm in the South Pacific: chairs, tables, bottles, cartons, and people careened as the ship lurched. Intrigued by these complex movements, Thomas Demand decided to re-create the video, minus the people, by constructing and animating a life-size paper model at LACMA
5. Under 35: Part III is an exhibition of artists who create work that reinvents more traditional approaches to materials, compositions and concepts, representing an ever changing definition of art and how materials are used at Zane Bennett Contemporary Art
6. Patrick Jacobs’ “Come Closer to Me” – from Whitman’s Leaves of Grass – features sculpture, printmaking, and a room-sized installation. Jacobs investigates space, scale, and perception of reality, while working across media. Drawing inspiration from nature, historical landscape painting, popular home and garden culture, and the supernatural, he sets up contexts with inherent internal contradictions at Pierogi

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