Pattern Pulp

Tuesday's Gallery Picks




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Exploring overlaps and contrary concepts in this weeks gallery picks.

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1. While the natural world plays a profound role in Matthias Meyer’s work, he achieves in its depiction a synthesis between the representational and the abstract. Both mysterious and revealing, the water’s surface reflects its surroundings while simultaneously drawing the viewer’s attention into the depths beneath at Danese Corey
2. “Pulling imagery and motif from organic form, architecture, media and design I create densely layered, mixed-media paintings that are invested in process and grounded in traditional craft. I’m interested in the overlap of nature and culture and the patterns present in both; the tension between them drives my exploration of color, surface and materiality.” – Nina Tichava at George Billis Gallery
3. Gao Rong has navigated notions of femininity and identity through domestic architectures in her previous series in which she created facsimile houses, rooms, and sites of memory rendered entirely in embroidered thread. Rather than romanticize the handicraft, however, Gao threads narratives together painstakingly through these embroidered fabrics, sometimes mimicking the act of suturing a wound. For her current solo exhibition, The Simple Line, Gao condenses this process into abstract hoops that dissect the tensions between formalist styles and traditional folk craft indigenous to female domestic life in China at Klein Sun Gallery
4. David Lefebvre manipulates his landscape paintings Galerie Zurcher
5. Rock and Refuge, Carol Es’ latest exhibition, will include her Joshua Tree paintings as well as a drawing installation from her ongoing Journal Project at Craig Krull Gallery
6. Tony Ingrisano’s practice draws inspiration from various infrastructure systems, from man-made power grids to naturally occurring river circuits. Ignoring their intended functionality, Ingrisano instead focuses on the beauty and rhythm found within their forms. The work presented in this exhibition furthers Ingrisano’s exploration of the aesthetic possibilities surrounding organizational systems by expanding into the theoretical. His interest lies specifically within geometric perspective and what a breakdown of the rules governing that perspective can add to the discourse about systems at Lesley Heller Workspace

Tuesday's Gallery Picks




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This week’s artists look at changing landscapes and the nature of transformation.

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1. Clint Jukkala’s paintings suggest that seeing and believing are subjective acts without absolutes at BravinLee
2. The work presented in this show—a multidisciplinary approach to painting that combines photography and digital technology—is a culmination of Ricardo Mazal’s near decade-long exploration into themes of life, death, transformation and regeneration at Sundaram Tagore Gallery
3. Perdido Bay in lower Alabama is a constant source of inspiration for Don Estes. The combination of water and sky serve as the foundation of his latest series of paintings at David Lusk Gallery
4. Using l a turn of the 20th century photo portfolio book bought at a flea market on Berlin’s Unter Den Linden as source material,  Will Murray continues his experiments in traditional photographic methods and their eternally renewed relationship to painting at p|m gallery
5. Unregistered City provides insight into the artist’s sociopolitical perspective. In this series, Jiang Pengyi utilizes digital manipulation to place miniature skyscrapers in deconstructed landscapes at Klein Sun Gallery
6. In this body of work, Wafaa Bilal offers meditative and ephemeral moments which address erasure and violence in the aftermath of war at Driscoll Babcock

Tuesday's Gallery Picks




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Our artists are plucking the strings of reality with sculpture and installations in this week’s gallery picks.

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1. Jacob Hashimoto’s work studies visual experience in space, artifice, and craft through the use of materials such as handmade kites, fiberglass, marble and the skillful use of light at MOCA
2. Stories told with Astrid Svangren’s installation at Maria Stenfors
3. Sarah Cain’s site-specific work responds to the physical, psychic, and emotional space of the gallery as well as Cain’s time in New York at Galerie Lelong
4. “Study from the Human Body” captures the complex discourse on the human form by aligning the timeless influence of Francis Bacon and Henry Moore. with a diverse group of international contemporary artists working today at Stephen Friedman Gallery
5. Li Hongbo’s stunning, stretchable, paper sculptures, inspired by both traditional folk art and his time as a student learning to sculpt, challenge our perceptions at Klein Sun Gallery
6. Francis Upritchard’s painted sculptures, or, perhaps, sculpted paintings, draw on the gothic tradition of Erasmus Grasser and Lucas Cranach as much as contemporary folk and psychedelia. They are slanted archetypes such as the withered fool or the haute couture blind man at Kate MacGarry

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