Pattern Pulp

Tuesday's Gallery Picks




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Our top gallery picks this week experiment with layers and the spaces where ideas intersect.

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1. Mark Grotjahn employs a palette knife to drag, scrape, and feather densely woven layers of oil paint. Aggressively worked from the center of the painting, the impasto offers a glimpse into the many layers of color comprising the composition at Blum & Poe
2. Askew’s Exodusrefers to the perpetual migration of people within the greater Pacific region. The underlying themes of cultural identity are explored through an experimental style of portraiture, abstraction and graffiti still life paintings depicting traditional Pacific foods at Goodspace Gallery
3. Katharina Grosse presents pictures on canvas which seem as if made for the imposing, lofty space in which they are being shown. Compressed into the two-dimensional, rectangular format of a panel painting, the works point virtually outward, beyond their material bounds at Galerie Johann König
4. Adrian Ghenie’s paintings are all about alienation and the angst that accompanies it at Nicodim Gallery
5. Merion Estes’ Dystopia features new large “tapestry-like” paintings continuing her ongoing body of work exploring the intersection of nature and decoration at CB1 Gallery
6. “The Sound of Creation” is composed of a selection of painted works accompanied by corresponding musical tracks as the result of a creative collaboration between the artist Beezy Bailey, and the composer and music theorist Brian Eno at ArsCulture

Tuesday's Gallery Picks




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This week’s gallery picks exude a playfulness, but is there more to them than that?

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1.The Art of Video Games explores the forty-year evolution of video games as an artistic medium, with a focus on striking visual effects and the creative use of new technologies at Pheonix Art Museum

2. Douglas Coupland’s new exhibition explores the rise of a parallel cultural system in the Middle East as well as the sense of atemporality that has become the defining sensation of the second decade of the 21st Century at Daniel Faria Gallery

3.Thomas Kapsalis’s combinations of colors and shapes are masterfully composed, but there is more in Kapsalis’s work than geometric abstraction at Ukrainian Institute of Modern Art

4. R. Nelson Parrish visually distills the iconic elements of surf, sun, and highway of Southern California through glass-like resin, wall mounted objects at Edward Cella

5. Katharina Grosse explores how painting can appear in space – in the realm of sculpture and architecture – by giving color monumental and palpable form at Nasher Sculpture Center

6. Paul Wackers’s deceptively playful works contain the humour of play between representation and abstraction, all in relation to the small things that fill our intimate spaces at Narwhal Projects

 

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