Pattern Pulp

Retail: Denim & DIY Dip Dye




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Anyone who works in retail display design knows there’s an endless amount of tlc that goes into every execution. Whether creativity is being sparked by budget constraints, deadlines, or oddball restrictions, the behind-the-scenes repertoire is intense and hands on.

Interestingly, the two photos I snapped above are a contrast of sorts. The ripped denim chandelier at Warm NY, is beautifully complimented by white brick and directional lighting. The fabric stripes break the height of the space, bringing a softness to an otherwise cavernous nook. The results are effortlessly cool and bohemian.

The indigo dip dye cotton below, in contrast, is used to hide the department store ceiling at Selfridges in London. Not an easy feat. Both simulate a paralleling story, only this version seems 10x more time intensive. The display is beautiful, and busy, and actually reminds me a lot of wedding decor. What are your thoughts? Is this something you’d recreate and incorporate into your space?

 

Taking a Class in Shibori Dying




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A few weeks ago, I signed up for a last minute class in Shibori Dying. I’ve been wanting to take a proper course at the Textile Arts Center for ages, but have had conflicts most of the weeks and weekends it’s been held.

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Shibori’s become a sought after style this summer. From high-end linen homewear and accessories to upscale and low key fashion, the DIY indigo look is something that’s accessible, yet cool, and not necessarily easy to replicate without a significant amount of practice. That is, unless you end up with happy accidents…which are cool if you’re a beginner.

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My friend Linda and I were shooting emails back and forth, talking about how cool a set of shibori-dyed yoga leggings would be…which lead to her stumbling upon the Make Workshop website. Surprisingly, I’d never heard of the site or the classes, though I very familiar with the building, thanks to many visits a few years back to Laurie Rosenwald’s studio.

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Before we knew it, we were meeting an enthusiastic bunch of fellow lady dyers and discussing our expectations for our untreated raw items. I want to say that the course was excellent and that you should all sign up for it, but in all honesty, it was a bit vague and open for the true beginners looking to understand the technique and the steps that go into varied dye results.

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Here are my final products. I brought an old Steven Alan button down and a baby onesie, Linda brought dinner napkins and our friend Kate brought white vans and an American Apparel shirt. My goal was to get a sweet (but not too sweet) heart shape in the middle of the onesie. As you can see, rubber bands were used in abundance and clips helped secure crisp folds. The final color is about five shades lighter when it drained and dried, but overall I’m pretty pleased for a first go at it.

 

 

A Summation of Indigo PV with Arts Thread




Today’s feature is by our intrepid writer, Emily Gup.

I was pretty jazzed when I learned that Pattern Pulp and Arts Thread would be teaming up to cover the Premiere Vision / Indigo New York SS13 textile show.  For those who are unaware, Arts Thread is an exciting platform based out of the UK for college students and graduates to post portfolio work and network with fellow grads and industry professionals.

Meeting up with Co-founder and Director Alex Brownless was a pleasure- we talked about the current work environment for recent grads and how exposure is integral in getting hired. The site is popular in the UK, Europe and Asia and is looking to expand into the US.

We also chatted about all-things textiles and viewed the five-level exhibition together. After weaving through each floor like kids in a candy store, it was evident that movement and transition were the strongest underlying themes throughout. Here are some supporting observations from the day.

Techniques:

A range of hand-painted and hand-drawn designs incorporating luxurious splashes of color, loose detailed geometry and dense ethnic prints.

Digital Effects:

Photo-realism and free-form layering. Ethnic prints were manipulated so as to blur the line between popular pixilated themes and traditional ethnic patterns.

Large Scale:

Organic and freeform with lush movement. Smooth transitions with art-nouveau influences.

Coverage by Emily Gup

 

New York: Creative Textile Design




Every time there’s a print-related trade show in New York, I make every effort to go. This season’s no different and if you’re local, work in the business of prints + patterns and are curious about market influences for the coming year, I recommend popping into the Altman Building for the Direction Show by Indigo. As I weaved through the isles yesterday morning, a few things caught my eye. In no particular order, here goes:

  • 1. Animal prints merged with lace
  • 2. Cityscapes, windows and urban landscapes
  • 3. Vibrant watercolors
  • 4. Coral Coral Coral
  • 5. Cute French conversational prints
  • 6. Monochromatic metallics accents,  gray + silver/gold + amber
  • 7. Digital camo with stain glass effects
  • 8. Ikat interpretations via embroidery, watercolor and embellishments

Today’s your last day to check out the floor and if you happen to swing by, do linger at the Garreau Designs, Fortier Price and Westcott Design tables, as their print libraries are wonderful.

Tracking Repetitive + Awesome.
On Instagram.