Pattern Pulp

Tuesday's Gallery Picks




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This week’s gallery picks explore the intertwined nature of environment, memory, and culture.

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1. Observations in Nature is bound thematically by the metaphor of the shark. Influenced by philosopher Slavoj Zizek’s analysis of the film “JAWS” (1975), Abdul Mazid’s conceptualization of the shark refers to society’s tendency to insist upon the “othering” and villification of people, ideas, and practices at Shoshana Wayne Gallery
2. The Chosen Form of Your Destroyer is focused on a new series of mixed media works by Ian Francis depicting the coexistence of beauty and destruction in modern society at Lazarides Rathbone
3. My Dakota captures not just the state of South Dakota’s changing economy and landscape but also a personal catharsis. Rebecca Norris Webb came to understand the series as a means of addressing her grief for her brother—“to try to absorb it, to distill it, and, ultimately, to let it go.” at The Cleveland Museum of Art
4. Robert Minervini’ Invisible Reflections surveys six monuments in San Francisco’s Golden Gate Park. Each of the six paintings depicts one individual monument, but interwoven with this imagery are white line drawings which represent the memorial’s historical framework. Minervini’s work invites the viewer to become more engaged with the rich history of San Francisco, with the hope that it will inspire further inquiry into our surrounding environment at Rena Bransten Gallery
5. Inspired by Argentinian author Adolfo Bioy Casares’ 1940 novel, The Invention of Morel, the exhibition Memory Burn observes mortality and death in relation to recording devices. The title of the exhibition refers simultaneously to unforgettable visions burned in the mind and to digital burning used to archive memories.
at bitforms
6. FAILE, a Brooklyn-based collaboration between artists Patrick McNeil and Patrick Miller, raises questions about our relationship to consumer culture, religious traditions, and the urban environment by blurring the boundaries between fine art, street art, and popular culture at Brooklyn Museum

Tuesday's Gallery Picks




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The artist’s in this week’s gallery picks pause time in motion, reflecting on the nuance of emotional states and of life changes.

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1. Chris Gwaltney’s ruminations on time in these paintings are reflective of this new stage in his life after the children are grown and both his own father and father-in-law have passed at Seager Gray
2. Jenny Morgan builds on the technical intricacies of her hyperrealism by wearing down, scrubbing away or painting over many of the features of her subjects. For the artist, wearing away at the subjects is at times an emotional roller coaster that is derived from the personal relationship and feelings she has towards the painting’s subject at Purdue Galleries
3. Sissi Farassat isolates each photograph’s subject with her handiwork, replacing the original background with a delicate overlay. By doing so, she blurs the distinction between the photograph and the object, the revealed and the concealed, and eliminates the subject from its original context at Houk Gallery
4. Vesod’s paintings represent frozen moments in time – entangled and linked with the present and future at C.A.V.E Gallery
5. Endless Summer continues Ian Francis’ ongoing investigation into contemporary issues facing the human condition, presenting a new body of identically-sized studies that capture suspended snapshots of modern life at The Outsiders
6. By painting from photographs instead of live models, Kai Samuels-Davis is able to utilize multiple images of the same person—or even images of different people—to create highly layered, dynamic portraits at Dolby Chadwick Gallery

 

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