Pattern Pulp

Tuesday’s Gallery Picks




This week’s artists examine the places in which opposing forces merge

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1. Rebecca Louise suspends 8,000 flowers from the ceiling in The Beauty of Decay at Chandra Gallery
2. Ori Gersht’s Flaunt “is about this new space created when the virtual and physical world are becoming absolutely united” at Kohn Gallery
3. David Hockney captured Yosemite National Park on his iPad at La Louver
4. Group exhibition Me and My Arrow at ZieherSmith
5. David Smith’s Form in Colour merges the concerns of two- and three-dimensional media at Hauser & Wirth
6. Radical Plastic is an opportunity to mediate on the idea of in-between-ness, and what it means to be in the middle of something as each artist proves adept at navigating fluid and liminal areas at CUE Art Foundation

Tuesday's Gallery Picks




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This week’s artists blur the lines between life and art while drenching them in color.

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1. Carl Cashman creates vibrant neon colored op-art, a genre he has coined “neometry”, or neon geometry. The works are hypnotic, at times bordering on the hallucinatory, and blur the distinction between digital and analogue forms at Thinkspace Gallery
2. Different cycles of Pia Fries paintings between 2006 and the present day at Mai 26 Galerie
3. Working from traditions of painting, the artists in this show use the formats of painting to explore a diverse range of themes related to contemporary American culture. These include leisure culture, personal histories, queer identity, and the nature of perception at Ortega y Gasset Projects
4. With his newest series of paintings Tim Biskup has come back to his roots. The work is bold, colorful, cartoony and emotive. He’s always felt a sort of spiritual connection to the work of Roberto Matta which is a touchpoint in this collection. Like Matta, Biskup believes that these paintings are biomorphic representations of the artists psyche at Kong Art Space
5. Painting the Human Spirit is a memorial exhibition dedicated to the memory of Albert Irvin, recently deceased. Irvin’s passionate abstraction is well recognized and the artist himself, known to all as Bert, was a universally admired and loved human being at Gimpel Fils
6. For Martin Creed, there is no border between life and art. He is increasingly interested in the performative nature of painting and the particular relationship between a body’s movements and the shapes it produces. In this exhibition, certain works have been made working with dancers whose movement, with paintbrushes held in their feet, translates directly as the forms produced on the painting at Hauser & Wirth

Tuesday's Gallery Picks




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Over the past few years, it’s been interesting to observe Pattern Pulp’s returning audience. We know you’re professionals working in creative fields, but one thing is clear- the art world falls high on everyone’s hierarchy. From the bountiful notes we get from our readers, galleries and animated publicists, we understand art inspires all levels of society and in an effort to share more concurrent exhibitions, we’ve started a weekly round up. So here goes…Tuesday’s Gallery Picks. Enjoy!

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1. Dieter Roth is a performance artist in all the mediums at Hauser & Wirth
2. Carol Ladewig’s Year in Color (52 weeks and a Day) at Slate Contemporary
3. Abstraction may be modernism’s greatest invention at MoMA
4. Cara Parravani’s portraits of her and her identical twin sister at Foley Gallery
5. El Anatsui converts found materials into new media at The Brooklyn Museum
6. Work/Space is a group exhibition by Phillip Estlund, Kirsten Kindler & Katie Sinnott at Acme Los Angeles

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