Pattern Pulp

Tuesday's Gallery Picks




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Exploring the art of perception with this week’s gallery picks.

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1. Dan Fischer graphite drawings are meticulous transformations of photographs of artists or their signature works of art at Derek Keller
2. Andrew Falkowski presents graphic paintings replete with cross cultural references that pose questions about the state of things and ask “what goes from here?” at Rosamund Felson
3. Samantha Bittman and Gabriel Pionkowski’s range of hand-woven textile paintings, deconstructed canvases, and embroidered work, the artists explore perception, form, and new perspectives in abstraction at Thomas Robertello
4. Patricia Gaeta’s recent work was inspired by architecture, particularly the empty, dilapidated buildings near Gaeta’s hometown of Niagra Falls, New York at Masters Pelavin
5. Karla Wozniak’s oil paintings and works on paper are based on places she visits around the United States, and in particular these new works are inspired by east Tennessee, where Wozniak has lived since 2011 at Gregory Lind Gallery
6. Rob Reger’s art aesthetic is a multi-media mix of surrealism, DIY punk, and pop sensibility resulting in what he calls “elegant absurdity” at 111 Minna Gallery

 

Tuesday's Gallery Picks




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Patterns in life and art reign supreme in this week’s choice gallery picks.

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1. The active moment versus painting’s innate stillness is a central concern of Barnaby Furnas’ work at Victoria Miro
2. Barry McGee’s gallery-based art explores the contradiction central to his daily life—reconciling graffiti with an artistic practice at ICA Boston
3. Jovi Schnell’s pop-inspired lexicon of organic and mechanistic hybrids has expanded to include a combination of chance operations and pre-determined restraints via Gregory Lind Gallery
4. Sherry Karver’s work speaks directly to, and plays with, our uniquely post-post-modern alienation, an alienation born of just the right amount of too much information at Kim Foster Gallery
5. Howard Hodgkin disregards the classical polarities of abstraction and representation, past and present, canvas and frame at Gagosian
6. Rhys James says “there is something dark and wild and crazy about flowers, yet in wallpaper designs they are controlled in a pattern and prettified. In our culture women are also prettified – she is part of the floral background, part of the furniture in a way. She has become just another decorative interior thing.” at Kings Place

 

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