Pattern Pulp

Tuesday's Gallery Picks




 

gallerypicks_patternpulp921

Take the edge off the chill of winter with some vibrantly colored art that uses the environment to explore experiences.

*            *            *

1. Inspired by Edouard Manet’s late series of flower paintings, Roland Reiss began his new “floral paintings” in 2008 as a meditation on the impact of color on our consciousness. Here, Reiss deploys roses, lilies, and sunflowers as color delivery devices; they float in large-scale compositions layered with collaged stencils and cutouts that reference cityscapes, modernist painting, and forms found in his early sculptural tableaus at Diane Rosenstein Fine Art
2. Sherie’ Franssen has long been preoccupied by abstraction’s power to interrogate the contours of our world, fragmenting and reordering them so as to distill something essential about that world and our experiences within it. Her latest body of work pushes Franssen’s interest in fragmentation—both as an aesthetic and emotional condition—to a new level at Dolby Chadwick Gallery
3. Zachary Keeting’s paintings are improvisational, yet each image refers to a specific life-situations, to specific people. His is striving for an art of realistic complication, of crosscurrents and contradictions, group energy at FRED.GIAMPIETRO Gallery
4. Elements depicted in the individual works within Friedman’s Happy Place series are snapshots of the artist’s life, reduced to their simplest forms at Joshua Liner Gallery
5. Nineteenth century German Biologist Ernst Haeckel‘s illustrations of sea creatures,17th century Japanese erotic woodblock prints from the Edo Period, and the mathematical drawings of recent astrophysical developments in the detection of the Big Bang, all serve as a visual point of departure for Jennifer Nocon’s latest show You See Ocean I See Sky at Tracy Williams, Ltd
6. Robert Kushner fuses plant forms with references to the global history of ornament to extend his exploration of the conceptual and political implications of the decorative at DC Moore Gallery

 

Tuesday's Gallery Picks




gallereypicks_patternpulp44

The artists in this week’s gallery picks explore evolutions in their processes and ideas to striking results.

*            *            *

1. In his new body of work, Joseph Staples’ focus has changed to where the image has become less important than the line made by cutting. With the image gone, the trace remains of process are what have become significant at Leo Koo Gallery
2. Lucy Mink’s work is an abstract diary that illustrates how she is consumed daily by combinations of color and form.at Fred Giampietro Gallery
3. This new series of pieces addresses the concept of a false beginning, with the paintings’ support envisioned as faux sculpture at Gregory Lind Gallery
4. By delving into the paradox of realism via the use of linear one-point perspective to derive micro/macro observational representations of the universe, there is the credible sense that Pedro Barbeito is exhibiting palpable and computational realizations of space, time, and matter at 101/exhibit
5. Gerald Collings breaks down the Renaissance ideal of the perfect representation of human figures and landscape through mathematical knowledge and puts it through a blender at Envoy Enterprises
6. Having always been attracted to painting and drawing, Emilio Perez’s unique practice is a back and forth conversation between the two mediums at Galerie Lelong

 

Tracking Repetitive + Awesome.
On Instagram.