Pattern Pulp

Tuesday's Gallery Picks




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This week’s artists explore impact of chaos and mythology on their art creation.

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1. Keiichi Tanaami’s Visible Darkness/Invisible Darkness contains powerful images drawn from dreams and memories, most notably those from his experiences as a child during World War II at Sikkema Jenkins & Co
2. Aaron Morse’s various landscapes depict survival amidst a harsh ecology, the strangeness of inherited mythologies, and perspectives obtained from a distance at ACME
3. Franz Ackermann seeks to chronicle new urban realities and the ways in which they are perceived, at a time when both realities and perceptions are driven by ceaseless flows of tourists and information. His monumental paintings take the form of large exploded views that combine architectural elements with numerous Modernist references and abstract shapes in a burst of colors and materials at Galerie Daniel Templon
4. Dave McDermott continues his ongoing allegorical examination of the complexities of human nature and the societies we build to house them, the isolation inherent in those structures, and how we represent those ideas through art itself at Brenna Griffin
5. Erik Jones challenges viewers to see beauty in his chaotic, mixed-media works that merge nude subjects with nonrepresentational, abstract elements. Describing the human figures in his compositions as “aesthetic anchors,” they are the calming foreground upon which bursts of color, stenciled shapes and custom-made stickers create surreal landscapes at Jonathan Levine Gallery
6. Hope Gangloff is known for creating vibrant and truthful portraits of her friends as a way to share her view of modern American life. By capturing this generation of young adults in her illustrations and paintings, she documents this era’s struggle during these tumultuous times at Richard Heller Gallery

Tuesday's Gallery Picks




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We’re taking a look at architecture and the systems that define our society in this week’s gallery picks.

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1. Tomoo Gokita’s artworks point to dated archetypes lifted from pulp fiction, Hollywood rags and film noir. The figures appear appear in a state of destruction or deterioration appropriate to their origine in memory at Mary Boone Gallery
2.Franz Ackermann creates cartographic watercolour drawings of urban areas undergoing rapid growth and development. These ‘mental maps’ form the basis of his multi-faceted site-specific artworks at White Cube Gallery
3. Daniel Rich’s new body of work continues to examine how the reproduction and proliferation of images shape our perception of physical structures and the ideologies that they embody at Peter Blum Gallery
4. By using traditional materials of oil on canvas, in the form of thick coats of paint to the canvas’s surface, Murat Pulat creates dotted textures. The texture the artist creates on his oeuvre defines the paintings from the realism of a film-still; however, these textural grains reference the pixels of a film, reminding the viewer of the origin of the paintings’ subject matter at Leila Heller Gallery
5. Michael Wolf has been consumed by the social and architectural fabric of Hong Kong since he moved there in 1994  at Flowers Gallery
6. Much of Thomson & Craighead’s recent work looks at how communications networks like the worldwide web are changing the way we relate to the world around us  at Dundee Contemporary Arts

 

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