Pattern Pulp

Tuesday's Gallery Picks




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This week’s artists explore impact of chaos and mythology on their art creation.

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1. Keiichi Tanaami’s Visible Darkness/Invisible Darkness contains powerful images drawn from dreams and memories, most notably those from his experiences as a child during World War II at Sikkema Jenkins & Co
2. Aaron Morse’s various landscapes depict survival amidst a harsh ecology, the strangeness of inherited mythologies, and perspectives obtained from a distance at ACME
3. Franz Ackermann seeks to chronicle new urban realities and the ways in which they are perceived, at a time when both realities and perceptions are driven by ceaseless flows of tourists and information. His monumental paintings take the form of large exploded views that combine architectural elements with numerous Modernist references and abstract shapes in a burst of colors and materials at Galerie Daniel Templon
4. Dave McDermott continues his ongoing allegorical examination of the complexities of human nature and the societies we build to house them, the isolation inherent in those structures, and how we represent those ideas through art itself at Brenna Griffin
5. Erik Jones challenges viewers to see beauty in his chaotic, mixed-media works that merge nude subjects with nonrepresentational, abstract elements. Describing the human figures in his compositions as “aesthetic anchors,” they are the calming foreground upon which bursts of color, stenciled shapes and custom-made stickers create surreal landscapes at Jonathan Levine Gallery
6. Hope Gangloff is known for creating vibrant and truthful portraits of her friends as a way to share her view of modern American life. By capturing this generation of young adults in her illustrations and paintings, she documents this era’s struggle during these tumultuous times at Richard Heller Gallery

Tuesday's Gallery Picks




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Exploring perception and its impact on the human condition this Tuesday.

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1. Timothy Cummings’s exploration of dualities —insider/outsider, self/other, the collision of nostalgia and the present at Catherine Clark Gallery
2. Utilizing a wide range of materials, Erik Jones’ mixed media approach creates a hypnotic tension between the familiar and the fantastical at Hashimoto Contemporary
3. The paintings in this exhibition engage us in both the rich language of abstraction and in the mysteries of the human condition at Seager Gray Gallery
4. Thank You Paintings Exchange initiates a series of material, social, gestural, intellectual and monetary exchanges between artist and collector, with the commercial art gallery as site and passive participant at Denny Gallery
5. In Painter’s Nest the role of the artist is examined in various stagings and often the representation of the artist appears to reflect the beholder’s own imagination of an artist at Nils Staerk
6. Adrian Ghenie Golems explores Charles Darwin and the “texture of history” at Pace Gallery

Tuesday's Gallery Picks




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This week’s gallery picks tell their stories through the human form.

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1. Dustin Yellon’s fascinating figures encased in glass at Richard Heller Gallery
2. Erik Jones clothes his figurative subjects in brilliantly patterned areas of color and geometry. Superimposing the graphic precision of these expanses against beautifully rendered portraits, the artist offers surrealistic images through the collusion of unexpected relationships at Thinkspace
3. For this exhibition, Todd James features his women: a colorful cast of warriors, sunbathers, sorcerers and girlfriends that have populated his work from its earliest years through today at Sandra Gering Inc.
4. Yinka Shonibare’s Making Eden interprets literally the notion of overthrowing the current social order in favor of an imagined “better place” at Blain|Southern
5. Recently, Richard J. Oliver’s portraits have crossed into the dark, brooding world of Grimm’s fairytales and surrealistic subjects that help convey the emotion and tragedy of our world’s children at Known Gallery
6. Combining stylistic elements from several different artists who cross multiple generations, George Condo’s portraits subvert traditional practice and only infrequently take as their subject real people; instead, the works often portray a fantastical assembly of characters derived specifically from the artist’s own imagination at Simon Lee Gallery

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