Pattern Pulp

Tuesday's Gallery Picks




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Exploring overlaps and contrary concepts in this weeks gallery picks.

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1. While the natural world plays a profound role in Matthias Meyer’s work, he achieves in its depiction a synthesis between the representational and the abstract. Both mysterious and revealing, the water’s surface reflects its surroundings while simultaneously drawing the viewer’s attention into the depths beneath at Danese Corey
2. “Pulling imagery and motif from organic form, architecture, media and design I create densely layered, mixed-media paintings that are invested in process and grounded in traditional craft. I’m interested in the overlap of nature and culture and the patterns present in both; the tension between them drives my exploration of color, surface and materiality.” – Nina Tichava at George Billis Gallery
3. Gao Rong has navigated notions of femininity and identity through domestic architectures in her previous series in which she created facsimile houses, rooms, and sites of memory rendered entirely in embroidered thread. Rather than romanticize the handicraft, however, Gao threads narratives together painstakingly through these embroidered fabrics, sometimes mimicking the act of suturing a wound. For her current solo exhibition, The Simple Line, Gao condenses this process into abstract hoops that dissect the tensions between formalist styles and traditional folk craft indigenous to female domestic life in China at Klein Sun Gallery
4. David Lefebvre manipulates his landscape paintings Galerie Zurcher
5. Rock and Refuge, Carol Es’ latest exhibition, will include her Joshua Tree paintings as well as a drawing installation from her ongoing Journal Project at Craig Krull Gallery
6. Tony Ingrisano’s practice draws inspiration from various infrastructure systems, from man-made power grids to naturally occurring river circuits. Ignoring their intended functionality, Ingrisano instead focuses on the beauty and rhythm found within their forms. The work presented in this exhibition furthers Ingrisano’s exploration of the aesthetic possibilities surrounding organizational systems by expanding into the theoretical. His interest lies specifically within geometric perspective and what a breakdown of the rules governing that perspective can add to the discourse about systems at Lesley Heller Workspace

Tuesday's Gallery Picks




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We’re ushering in 2015 with bright colors, bold graphics and deep implications.

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1. “Staycation,” titled from the idea of temporarily checking out of reality without actually going anywhere, compels the viewer to consider whether today’s current techno-cultural revolution in San Francisco, where the “we’re changing the world” mantra is as omnipresent as it was in 1968, and to ask what, if anything, is different? at Wolfe Contemporary
2. Rendered with a precise freehand technique, and without the use of tape, Warren Isensee’s work manages to avoid the anonymous, impersonal appearance often associated with hardedge painting. His unexpected juxtapositions of vibrant color are visually intense via Danese Corey
3. Andrew Falkowki’s work examines the relationship between studio production and media outputat Rosamund Felson
4. Spatial Planes includes a selection of artists whose print-based work plays with the visual and conceptual representation of space. In addition to the abstract and often geometric imagery activating multiple planes and pulling the viewer into contemplative space, the works are new statements on perception, an ongoing discourse of artists and theorists at Bluestar Contemporary Art Museum
5. REFRACTION. THE IMAGE OF SENSE brings together artists who accentuate how art operates in an era of new media, in a world which is organically and indiscernibly both human and non-human at the same time. at Blain Southern
6. Carlos Oviedo’s works speak to the fragility of social icons in pop culture and the representation of self and identity through the prism of fame and glory at Galeria GUM

 

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