Pattern Pulp

Tuesday's Gallery Picks




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We’re ushering in 2015 with bright colors, bold graphics and deep implications.

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1. “Staycation,” titled from the idea of temporarily checking out of reality without actually going anywhere, compels the viewer to consider whether today’s current techno-cultural revolution in San Francisco, where the “we’re changing the world” mantra is as omnipresent as it was in 1968, and to ask what, if anything, is different? at Wolfe Contemporary
2. Rendered with a precise freehand technique, and without the use of tape, Warren Isensee’s work manages to avoid the anonymous, impersonal appearance often associated with hardedge painting. His unexpected juxtapositions of vibrant color are visually intense via Danese Corey
3. Andrew Falkowki’s work examines the relationship between studio production and media outputat Rosamund Felson
4. Spatial Planes includes a selection of artists whose print-based work plays with the visual and conceptual representation of space. In addition to the abstract and often geometric imagery activating multiple planes and pulling the viewer into contemplative space, the works are new statements on perception, an ongoing discourse of artists and theorists at Bluestar Contemporary Art Museum
5. REFRACTION. THE IMAGE OF SENSE brings together artists who accentuate how art operates in an era of new media, in a world which is organically and indiscernibly both human and non-human at the same time. at Blain Southern
6. Carlos Oviedo’s works speak to the fragility of social icons in pop culture and the representation of self and identity through the prism of fame and glory at Galeria GUM

 

Tuesday's Gallery Picks




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This week’s gallery picks are shaped from habits and habitats.

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1.Drawing from Surrealism, Modernism, and Cubism, Sebastiaan Bremer collages photographs and paintings together to create a seductive labyrinth of entangled bodies and art at Edwynn Houk Gallery
2. Aaron Spangler’s local predilections have morphed his works into timeless divine shrines, with oblique forms that cascade into memory, and chiseled lines that are charged with ancient orientations at Horton Gallery
3. First used as dwellings over 3000 years ago, tent-like structures present an environment of shelter that can be traced back to antiquity. Francesco Clemente’s tents engage with this long history but are characterized by a discontinuity or fragmentation of context, bringing together myriad cultural and art historical references at Blain Southern
4. Tiffany Bozic’s show “Sense of Wonder” featuring 50 recent small and large paintings on wood continuing her motif of tightly rendered paintings detailing surreal metaphorical themes at FFDG
5. Kehinde Wiley’s exhibition features Jamaican men and women assuming poses taken from 17th and 18th Century British portraiture, the first one in the ‘World Stage’ series to feature portraits of women at Stephen Friedman Gallery
6. THEY ARE US: Animal Identity and the Anthropomorphic Urge gathers the work of six disparate artists who use animal imagery in their work to reflect upon human characteristics that separate us from the animals while ultimately serving to connect us as well at Rick Wester Fine Art

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