Pattern Pulp

Creative Ensambles & Art Basel




*arty fashion

As the art and fashion worlds descend upon Miami this week, you can bet that the clothing will mirror the gallery exhibitions. Beyond interesting styling, there are patterns and textiles that are truly going the distance this season, presenting themselves are works of art. Here are a few favorites that incorporate color blocking, surrealism, asymmetry and line work, reminiscent of Sol Lewitt. Any favorites in the bunch?

1) Bottega Veneta, Net-a-Porter  2) Ellery, Moda Operandi  3) Alice Mccall, Moda Operandi  4) Alexander Lewis, Net-a-Porter  5) Kenzo, Moda Operandi  6) Fendi, Net-a-Porter  7) Dries Van Noten, Barneys 8) Muller, Moda Operandi

 

Repetition Elsewhere: Art Recap of 2010




Last evening we were directed to a rather pointed article by New York Times writer, Roberta Smith, citing the year’s art recap with a list of promising stars for the future. Two quotes that struck hardest, were:

Buoyant auction prices followed by brisk sales at Art Basel Miami maintained the illusion that the art world was somehow immune to the recession. But there are growing signs that the second shoe has yet to drop.

and…

And in New York galleries substantial shows by women have been abundant, including those by newcomers like Liz Magic Laser, Shio Kusaka, Keltie Ferris and Tatiana Trouvé, as well as better-known artists like Sarah Sze, Anya Kielar, Huma Bhabha, Claire Pentecost, Rineke Dijkstra, Mika Rottenberg, Siobhan Liddell, Pipilotti Rist and Joan Snyder. Diverse in age, style and medium, the girls are all right, and getting better all the time. Too bad they don’t run Washington yet.

Make what you will of this, but we’re anxious to see what’s in store for next year.

Nude & Atmospheric: Girls & Ghosts




On the heels of this morning’s Moki post, it seems relevant to highlight two paralleling works. The Standard Hotel, Vanessa Beecroft, Guest of a Guest and Playboy presented the installation, Nude is Muse at Art Basel Miami. It was a huge hit (big surprise). Mimicking this dreamlike state of still haziness, Moki’s ghosts emit a similar vibe. While each image refers us to opposing climates, both landscapes appear lonely, surreal and isolated. Emerging from their environments, both the girls and the ghosts are one with nature, still and stunning.

Snap Shots from Art Basel, 2010




1. Kaari Upson, at Rubells, Photo by Helen Toomer Labzda

2. Artist Unknown, at Pulse Art, Photo by Tono

3. Artist Unknown, at Pulse Art, Photo by Tono

4. Jason Rhoades at Rubells, Photo by Helen Toomer Labzda

5. Yago Hortal at Galeria Senda at Pulse Art, Photo by Helen Toomer Labzda

6. The Holes booth at NADA, Photo by Helen Toomer Labzda

Here’s a quick round-up from Art Basel, 2010. Sadly, I couldn’t make it, though the steady stream of Facebook photos from friends and colleagues kept me in the loop! Between Helen Toomer Labzda, Mirrorball and Tono’s collective photos, its easy to deduct that texture is back in full force. Vivid compilations with complicated twists were everywhere. Have a look and tell us what you think. Enjoy!

Trend: Brands Burning




As 2010 rolls on ahead, artists, writers, designers are all pondering the future, and it seems that burning the past (esp. 2009) might be a way to move forward. Burning, a cathartic ritual for many religions, releases the energy of the past to spark new beginnings.

The New York Times Magazine recently featured a stunning cover with the “T” scorched and engulfed in flames. Pyromaniacs set designer, Gary Card and the photographer, Jacob Sutton, were inspired by the “Wicker Man” 1973 horror movie and commissioned a welder to fabricate a 10-foot-tall steel T. After layering it with sugar cane and soaking it in alcohol, they lit it with a blowtorch and “ran for their lives”. Although the T was intended for an Anglomania themed issue, you couldn’t help but feel it symbolized the current demise of the great newspaper in crisis to its internet nemesis.

Paralleling this theme, artist Karmelo Bermejo recently presented “The Grand Finale” at Art Basel Miami in December. The fireworks show ignited the word “Recession,” commemorating the failure caused by the worldwide economic crisis. Though controversial, this celebratory event emphasized art’s fleeting, yet explosive nature.

Using burn marks as a design element with a more lasting effect, the designers at LOVE Magazine recently styled Coco Sumner, incorporating past, present and future themes into the shoot, spread and article.

Art that isn’t so fleeting is best exemplified by Olivier Kosta Thefaine, who uses a cigarette lighter to burn his graffiti-inspired patterns into the ceilings of galleries. Inspired by Paris street culture, his illustrative strokes transform bare white rooms with complex smoke mosaics. Rather than desecrating to create the desired effect, the flame’s byproduct is in fact the “paintbrush.”

And lastly, burning has emerged as a tangible art in the fashion world. Balmain’s Spring 2010 Ready-to-Wear collection presents an array of tattered clothing with visible signs of distress. From beaded jackets to bullet strewn tees to ripped jeans. A tough sexy trend is already resonating with the fashion glitterati. Be ready to rock this look for major bucks or get inspired go DIY with your bleach, scissors and lighters. Layer up with skinny pants, embellished tops and jackets to complete the look. Tough girl attitude optional.

By: Angela Chen

Tracking Repetitive + Awesome.
On Instagram.