Pattern Pulp

Tuesday's Gallery Picks




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This week’s artists view the world with a little magic, mystery and myth.

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1. In this groundbreaking presentation, Takashi Murakami continues to conflate historical, contemporary, and futuristic Japanese references with myriad styles, methodologies, and forms—a practice that has canonized him as of one of the most celebrated artists of our time at Blum & Poe
2. Young Chun’s ’s elaborate oil paintings feature muses with brilliant, chromatic glasses – magical lenses that highlight beautiful and fascinating elements in the world at C.A.V.E. Gallery
3. Alchemy is an expansive group exhibition curated by prolific multi-media artist Monica Canilao. Using the medieval forerunner of chemistry for inspiration, Canilao asked the group of over 40 artists to create both two and three dimensional works that will transform the gallery into a contemporary reflection of this well worn path through the eyes of the contributing artists at Inner State Gallery
4. Deedee Cheriel’s latest work “mixes ancient legend with modern life, predator with prey, east with west, and man with beast – weaving an appropriately complex tapestry of the societal fusion that defines our contemporary world.” at KP Projects
5. The shapes, colors and sections of the Marta Marcé’s multicolored canvases are often arranged and placed much like pieces on a gameboard or puzzle. Her latest works are inspired by the her recent journey to Guatemala, where she learned about Mayan cosmology (the origin of the cosmos) and its symbols, as well as readings of the philosopher and mystic, Ibn ‘Arabi at Rifle Maker
6. Margaux Ogden’s Chekov’s Gun at ltd los angeles

 

Tuesday's Gallery Picks




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We’re ushering in 2015 with bright colors, bold graphics and deep implications.

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1. “Staycation,” titled from the idea of temporarily checking out of reality without actually going anywhere, compels the viewer to consider whether today’s current techno-cultural revolution in San Francisco, where the “we’re changing the world” mantra is as omnipresent as it was in 1968, and to ask what, if anything, is different? at Wolfe Contemporary
2. Rendered with a precise freehand technique, and without the use of tape, Warren Isensee’s work manages to avoid the anonymous, impersonal appearance often associated with hardedge painting. His unexpected juxtapositions of vibrant color are visually intense via Danese Corey
3. Andrew Falkowki’s work examines the relationship between studio production and media outputat Rosamund Felson
4. Spatial Planes includes a selection of artists whose print-based work plays with the visual and conceptual representation of space. In addition to the abstract and often geometric imagery activating multiple planes and pulling the viewer into contemplative space, the works are new statements on perception, an ongoing discourse of artists and theorists at Bluestar Contemporary Art Museum
5. REFRACTION. THE IMAGE OF SENSE brings together artists who accentuate how art operates in an era of new media, in a world which is organically and indiscernibly both human and non-human at the same time. at Blain Southern
6. Carlos Oviedo’s works speak to the fragility of social icons in pop culture and the representation of self and identity through the prism of fame and glory at Galeria GUM

 

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