Pattern Pulp

Tuesday's Gallery Picks




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This week’s gallery picks showcase abstractions and cultural roots.

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1. Emily Mason’s rhapsodies in oil, composed from luscious color orchestrations and graceful brushwork that together mark the confident hand of a masterful artist. Color is the primary means by which Mason’s paintings are structured. Its forms and shapes, veils and layers, darts and furls ripple across her canvases and comprise singular argots of painterly sensibility and sensation at LewAllen Galleries
2. The exhibition Empirical Intuitive Absorption explores the roots of abstraction Andrea Rosen Gallery
3. An exhibition dedicated to the re-evaluation and rediscovery of three fascinating personalities from art history who instigated a material language that continues to inform contemporary art today. Comprising over 100 key works from American and European museums as well as international private collections, the show offers new perspectives on Kurt Schwitters, Joan Miró and Hans Arp, as well as a deeper insight into Dada and Surrealism at Hauser & Wirth Zürich
4. With Secret File, Lance Letscher’s complex collages turn into coded messages and patterns at TAI Modern
5. Combining modern African Diaspora, the aesthetics of science fiction, urban vernacular, and the idioms of abstraction, David Huffman’s paintings interrogate the politics of race through the increasingly subtle yet potent iconography of the basketball at Roberts & Tilton
6. William Swanson investigates manipulations of terrain and architecture. His latest work moves further into abstraction as he allows the pools and puddles of paint and dried cracked surfaces to create the movement and texture at Eleanor Harwood Gallery

Tuesday's Gallery Picks




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Our artists contemplate the ability of the world to transform in this week’s gallery picks.

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1. “The Colossalalia paintings are a rogues’ gallery of old Los Angeles neighborhoods. They serve as visual signposts to a landscape vaguely recalled, or no longer extant. As neighborhoods change through neglect, destruction or development, these paintings remain as souvenirs of a world systematically being erased” – Hilary Baker at Offramp Gallery
2. Mark Ryden’s latest series is informed by the geometric structure “dodecahedron,” a solid figure bearing 12 sides whose perfect symmetry has been the source of extensive query by mathematicians and scientists since antiquity. Drawing upon the form’s mystery and divine connotations as a source of inspiration, Ryden explores the bridge between the physical world and the intangible realm at Paul Kasmin Gallery
3. The vocabulary of images in Mark Ryden’s new body of work remains consistent with his pervasive distortion of scale and his iconic fairytale-like creatures set against seductive landscapes of untouched beauty. However, the subject of his latest series is informed by the geometric structure “dodecahedron,” a solid figure bearing twelve sides whose perfect symmetry has been the source of extensive query by mathematicians and scientists since antiquity Ron English’s Neonature examines the art of evolution, the flaw that propels civilization at Corey Helford Gallery
4. Examining the evolution of the feather at Andrea Rosen Gallery
5. Both David Marc Grant and Adrian Landon Brooks are influenced by the notion of time – past, present and future. Grant continues to explore the idea of a mythical future world in his series of acrylic paintings on wood panel. In contrast, Brooks is inspired by materials and aesthetics of past eras at Campfire Gallery
6. Whitney Bedford’s exhibition will include a series of uniformly scaled landscapes; these images of a tropical desert form an exploration of the sublime, of Eden, of the origins of awe in nature, that hints at the cinematic. Bedford will also present a trio of monumental landscape paintings rendered in gold ink with her exemplary draftsmanship and painterly exuberance at Susanne Vielmetter Los Angeles Projects

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