Pattern Pulp

Tuesday’s Gallery Picks




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Explorations of shape and abstraction abound in this week’s gallery picks.

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1. A showcase of Etel Adnan’s work from across her career including paintings, drawings, poetry, film and tapestry. at Serpentine Gallery
2. A historical survey exhibition of works from the 1950s by Lygia Clark. Clark’s groundbreaking work radically innovated the relationship between the art object and audience and has become a reference point for generations of artists pushing the limits of sculpture today at Alison Jacques Gallery
3. Jaro’s paintings feature non-objective, geometric forms in a colorful mélange called geometric abstraction at Bohemian Benevolent & Literary Association
4. The line is at once a road and a horizon. Between the Lines considers the space in between. Bringing together an international group of artists, it surveys the landscape of a movement that started in the grimy backstreets of Paris, London, New York, and LA but has since exploded to become a worldwide phenomenon at The Mine
5. Judy Ledgerwood’s Pussy Poppin’ Power explores and confronts the history of abstraction, as well as artistic domestic work created by women across generations at Tracy Williams Ltd
6. Stanley Whitney presents a series of oil paintings and gouache on paper works made over the last few months in response to global events, literature and music, among other sources of inspiration. Whitney’s unique ordering system revolves around his use of a loosely painted grid, which he has experimented with in various ways over the course of almost three decades at Lisson Gallery

Tuesday's Gallery Picks




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This week’s gallery picks merge realities and examine relationships.

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1. Mushrooms, manikins and other low-life characters also meet high culture as GAMA has a strong attachment to a broad cross-section of Western Old Master and Nineteenth century painting at Chambers Fine Art
2. Thomas Zipp’s body of work examines the relationship between actor and observer by transforming the gallery into an open field of experimentation.  Zipp addresses control in relation to the physical, sexual and psychological components of the human mind at Alison Jacques Gallery
3. Alexis Anne Mackenzie’s new show Multiverse explores how minor fluctuations in circumstance, or a slight rearrangement of the same elements, can create a wholly different entity at Eleanor Harwood Gallery
4. Colin Chillag’s hyperrealism dissolves into sketches, under-paintings and notes-to-self. Meditative in effect, these passages show the tracks left by Chillag’s brain, drawing connections between things and things-to-do, wandering through varied creative spaces at 101/EXHIBIT
5. Joram Roukes and Charles Wilkin are thematically united by the often dark nature of their surreal subjects and their intuitive juxtapositions of photographic imagery and abstracted forms. Ultimately, both artists’ subjects reside within a dream-like surrealistic place, alluding to themes concerning the nature of interpretation and the ways in which images embody cultural memory at Masters Projects
6. Answering Marcel Duchamp’s question: “Can one make works of art which are not ‘of art’?”, the exhibition “Le Bord des Mondes” [At the Edge of the Worlds] explores the many fields of artistic creation and welcomes creative people from outside of the art world whose work would seem to belong to it through its depth, its beauty and its singularity at Palais de Tokyo

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