Pattern Pulp

Tuesday's Gallery Picks




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This week’s artists explore impact of chaos and mythology on their art creation.

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1. Keiichi Tanaami’s Visible Darkness/Invisible Darkness contains powerful images drawn from dreams and memories, most notably those from his experiences as a child during World War II at Sikkema Jenkins & Co
2. Aaron Morse’s various landscapes depict survival amidst a harsh ecology, the strangeness of inherited mythologies, and perspectives obtained from a distance at ACME
3. Franz Ackermann seeks to chronicle new urban realities and the ways in which they are perceived, at a time when both realities and perceptions are driven by ceaseless flows of tourists and information. His monumental paintings take the form of large exploded views that combine architectural elements with numerous Modernist references and abstract shapes in a burst of colors and materials at Galerie Daniel Templon
4. Dave McDermott continues his ongoing allegorical examination of the complexities of human nature and the societies we build to house them, the isolation inherent in those structures, and how we represent those ideas through art itself at Brenna Griffin
5. Erik Jones challenges viewers to see beauty in his chaotic, mixed-media works that merge nude subjects with nonrepresentational, abstract elements. Describing the human figures in his compositions as “aesthetic anchors,” they are the calming foreground upon which bursts of color, stenciled shapes and custom-made stickers create surreal landscapes at Jonathan Levine Gallery
6. Hope Gangloff is known for creating vibrant and truthful portraits of her friends as a way to share her view of modern American life. By capturing this generation of young adults in her illustrations and paintings, she documents this era’s struggle during these tumultuous times at Richard Heller Gallery

Tuesday's Gallery Picks




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Paper and every day materials reign in this week’s gallery picks.

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1. As the world becomes a more complicated and chaotic place, the appeal of miniatures as a means of both escape and commentary will likely endure for years to come at Apex Art
2. Pascale Marthine Tayou’s unique visual language is based on archetypes, made and found objects and traditional craft at Serpentine Galleries
3. Often working for weeks or months on individual pieces, Judith Scott used yarn, thread, fabric, and other fibers to envelop found objects into fastidiously woven, wrapped, and bundled structures at Brooklyn Museum
4. Works on paper from a bevy of talented artists at ACME
5. Fernando Mastrangelo’s NOTHING alludes to the endless possibilities of transformation in the common and everyday goods we have around us, providing hope for the possibility of aesthetic utility in what we overlook as banal at Mike Weiss Gallery
6. Paper Cut is a group exhibition featuring artwork by six artists who cut into, tear into, and deconstruct the humble, traditional medium of paper to explore the terrain of their subject matter at Subliminal Projects

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