Trend: Kid Friendly Clouds

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Though we’d typically hold off on our cloud postings til late March when pairings can be aligned with April showers, cumulous floaters have proven inspirational as of late. Åsa Dahlbäck, a graphic designer from Sweden, creates sharp textured markings to form bold fluffy dimples. Utilizing the largest markers in the box, Tsumori Chisato’s cloud dress portrays a dreamlike state, obscuring clarity with harmonious violets.

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In a playful salute to “partly-cloudy” weather reports, Rose Clark’s collaboration with Sinem Erkas reveals a portable balloon installation series for fashion and art magazine, Exit. Continuing along bold and witty lines, the users of we heart it, found amusement in this hungry gutter by The 6emeia Project. Harmless street art to make you smile.

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Fusing photography with playful attainability, these pastel clouds encourage conceptual daydreaming. Alison Foshee, of California, explores the potential of everyday objects in her dynamic collages. Here she has layered an assortment of stickers to form whimsical colorful droplets.

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Cloud and rain inspired accessories have infultrated the marketplace in a variety of forms. This blue wooden sculpture by Flatland OK, solidifies unattainable pairings. Modernizing Ming Dynasty Era alcove beds, Courtney Skott of San Francisco has carved out pixelated cloud patterns in an effort to decorate her “room within a room” concept. Feminizing this concept, necklaces and other curious jewelry findings can be located here.

March 2, 2009 | By: Shayna Kulik

Homegoods: Dissecting Malachite

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Originality is the benchmark for every creative release, particularly when a review’s involved. Designers love to observe, dissect then reinterpret. Fusing mismatched edges with polished mineral patterns, malachite ensembles have begun to surface in many upscale home good departments. This forest sculpture, comprised of glass angles and green reflections translates commercially as beautiful 2D cabinetry. Merging wood, paint and pattern, Fornasetti achieves similar success with his gold cutlery malachite trays.

February 27, 2009 | By: Shayna Kulik

Artist Interview: Julia Rothman

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Julia Rothman is one of the most talented and original pattern designers in today’s marketplace. I had the pleasure of catching up with her at “Design by the Book,” a collaborative event hosted by The New York Public Library and Grace Bonney of Design*Sponge. Rothman has a the ability to beautify ordinary objects, using her unique style of illustration and layout to create whimsical repeats. Her work has been featured in countless publications and dons home goods of every variety. Check out our Q+A for a glimpse into her daily routine.

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PP: What websites do you generally start your day with-do you have a daily routine for news/blog/information consumption?

JR: Design Sponge, Print&Pattern, Poppytalk, Oh Joy!, The Post Family, Grain Edit always start my day. And the NYTimes for news of course.

PP: Do you discuss your work with other designers? If so, how does that impact your creation + execution process?

JR: I am on the video phone with Jenny Volvovski and Matt Lamothe, my Also partners all day every weekday. They see everything I am working on and give a constant critique on my work. That is always helpful. Sometimes they notice ways to improve my design that I would have never thought of. I think it’s always helpful to have designers you trust giving you feedback. You don’t always have to listen, but at least you are presented with other points of view.

PP: Where do you usually work on your patterns and how much time is devoted to illustration vs computer layout?

JR: I start with drawings I make with a pen in my sketchbook. I usually work on those hanging around my house, usually lounging on my couch. The time I spend making drawings varies but it’s usually the majority of the work. After the drawings are all done I go to my office and scan them in at high resolution. After that I manipulate and color the drawings using Adobe Illustrator.

PP: How has your work evolved over your career?

JR: In the beginning I was making drawings and then scanning them in and trying to make them into patterns. Over time when I decided making patterns was where I wanted to focus, I made drawings keeping in mind how they would later repeat. And then eventually when I started making specific products- wallpaper, mugs, stationery, it had to evolve one step even further. I had to give scale, colors and subject matter even more consideration for how it would specifically look on that object. For example, when I was making patterns to build up a portfolio I wasn’t worrying about the amount of colors. I put in as many as I wanted. But working recently on my wallpaper designs for Hygge&West, I had to limit my colors to three or less which was a fun challenge.

PP: What are some of your favorite creations/mediums/color palettes?

JR: I recently worked on a project organized by Design Sponge and the New York Public Library and made a very detailed navy men pattern. I was inspired by a book of uniforms and symbols of navy officers from around the world. I really love how it came out. I also recently made two patterns of vintage office supplies for Galison, a stationery company. I am really excited to see how those patterns get applied to a variety of products. They come out this Spring!

When I am painting I always use gouache. I love how flat matte the paint gets. It’s also similar to the flatness in silkscreen, another favorite medium.

One of the most often criticisms I get is about my color palettes. I tend to use really muted colors. Often art directors ask me to brighten up my colors. I’m more attracted to subtle tones with pops of brightness here or there.

PP: How do you incorporate commercial trends into your work- is this a factor that drives your design?

JR: I try not to think about trends too much. I make designs I think will be interesting whether or not they are popular themes or palettes at that moment. I’m sure with the amount of designs I look at on blogs every day, trends affect what I do, but it’s not on purpose.

PP: Do you have any advice for younger designers who are just getting started?

JR: I always tell new designers to be pro-active about promoting themselves. Nothing is going to come to you. You can be an incredible designer, but nobody will know that until you show them. And if the first person doesn’t think you’re great, don’t get discouraged. Maybe the next person will, or the next one after that.

February 24, 2009 | By: Shayna Kulik

Homegoods: Forest Tales

tuleh-lancelotti

There’s nothing more symbolic of the February winter slump than bare trees silhouetted by dusk. Designers from nearly every home goods and accessory category have infused their direction into this trend, moving away from the cozy appeal of eco-friendly design. Tuleh’s S/S09 patterns possess a whimsical stillness that alludes to natural transition. Flora detailing can also be found on glass plates sold at Lancelotti Housewares in downtown Manhattan. Each plate is an interactive experience for both the chef and the diner, as the transparent canvas provides a scenic backdrop for every meal.

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Embracing tonal medleys, Forest Tales speaks to a darker feminine side of contrasts. Selfridges of London sells pillows with sunrise/sunset references. Using only a narrow silhouette and silver embossing, this metallic leather-bound notebook from ABC Carpet is both bold and simple. Continuing to veer from prim and proper, this Black Forest China collection from Germany caters to the Tiffany-hating types, an under appreciated niche. Armani Code combines transparency, gradients and nature to produce elegant, sultry packaging for it’s latest signature fragrance.

February 23, 2009 | By: Shayna Kulik

Trend: Woven Minimalism

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As excessive desires wain under the current economic climate, minimalist living shifts back into the spotlight. Daniel Hedner, the mastermind behind Imaginary Office, a Swedish design and architecture firm, recently designed Pleats Please, a bare-bones approach to traditional seating. Weaving only 19 stripes of upholstered polyurethane foam to a white coated steel pipe frame, Hedner built his creation using the macramé technique of knotting. Illustrating this method on a flat surface, graphic designer Damien Correll, interlocks various arms together in Like Pattern, a print of hands holding hands. Utilizing a monochromatic palette and consistent stroke, Correll conveys a timeless sense of optimism, communicating strength in the basics.

February 20, 2009 | By: Shayna Kulik

Homegoods: Faux Libraries for Any Room

bonkarma

Nostalgia inspires collectors of every obsession. Attempting to revive this mood for literary enthusiasts, designers from all over the world continue to reinterpret the idea of the library, creating countless variations (and visual shortcuts) of this popular hobby. Bonkarma, a concept store in France sells book-patterned stools, a faux alternative to clunky seating that can hold up to 200kg.

Bookshelf Wallpaper:

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British designer, Deborah Bowness creates hand-printed wallpaper, imitating the likeness of a 3D library as a playful 2D backdrop. Bowness’s commissions include trendy locals such as the New York Soho House and Phillip Stark’s Yoo-Aldelgade in Copenhagen.

Stacked Illusions: Spine Emphasis

irina-troitskaya

The owners of this puzata hata restaurant in Kyiv left no page unturned in their interior pursuit for white-walled texture. Here is a monochromatic approach to literary decor. For set designers seeking to recreate a cheap, light-weight alternative to the age-old study, classic cardboard cutouts can be found amongst other tchotchkes at Printemps in Paris.

Textured Installation: Page Emphasis

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This past November, Anthropologie disfigured and reshaped a collection of paperbacks, creating large scale floral sculptures. Each beige bookend played an integral part in crafting the unique look of the month. Toying with the idea of opposites, the installation featured on weheartit showcases hundreds of books, appearing both messy and unorganized- a stark contrast (and breathe of fresh air) from the usual line up of conservative spines.

February 19, 2009 | By: Shayna Kulik