Pattern Pulp

The Magic of Recent Relics




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Cruise through any form of media and you’ll notice an obsession with the past.  From #throwbackthursday and #nationalsiblingsday to any other communal hash tag, we all love a walk down memory lane. As the babies of the 70’s and 80’s find themselves getting married and having kids, balancing rising careers within the confines of the recession, there’s a wash of nostalgia and yearning for simpler times.

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We look back to the days when the Internet was in its infancy and social media didn’t yet weave through our lives, before iPhones and Google, before Wii and Playstation, when life was more “simple.” Pixels were big back then and we liked it that way, because that was The Future and in The Future, anything was possible – at least, that’s what we were told. In Hollis Brown Thorton’s The Land Between Solar Systems, he elevates our simple things, our recent relics of the past, into art. Click here for event info.

Linda Warren Gallery: 327 N. Aberdeen Suite 151, Chicago, IL. 60607

 

Trend: Pointillist Burn Outs




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In January, I visited the Museo de Arte Latinoamericano de Buenos Aires and discovered Oscar Munoz. Revealing the act of Pirography on paper- a rather impressive feat- he smoked and drew- with a cigarette in hand, creating a series of self portraits.

Using positive and negative light to tell pointillist stories, Katrine Hildebrandt-Hussey, a Boston-based artist, shares a similar (but smudgier) aesthetic. Using india ink, cut paper and watercolor, she expresses line through dot movement.

 

Tuesday's Gallery Picks




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Our gallery picks this week were chosen for the captivating ways in which they push boundaries and document change.

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1. Carlos Rigau’s art deals with the illusion and perception of surface at LMAKprojects
2. Mary Iverson’s landscapes overlain with shipping containers and shipwrecks unfold in a zig-zag pattern at Shooting Gallery
3. Dylan Bailey’s “number” paintings and “colored cap” panels at David Nolan Gallery
4. Portia Munson’s work is a record of this moment in time as she observes the changes to her local environment at P·P·O·W Gallery
5. Mark Whalen’s geometric Maze Walkers at Chalk Horse
6. With Clean Title, No Accidents, Anat Reihsen pushes the boundaries of surface, color, and flexibility of paint at The Company Art

 

Masks: The Art of Identity




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Our identities are dictated by daily routine. Whether we’re playing around with makeup and creating abstract stories or focusing on history through an introspective lens, the concept of duality shines bright when we think of a mask’s role.

Jamaican born, Miami-raised Paul Anthony Smith draws inspiration from Jamacian culture and the African diaspora. Smith gives a nod to these traditional masks while simultaneously commenting on hierarchy and identity. By covering his characters with a unique glittery “picotage” technique and deliberate obscuration, he levels the playing field. His subjects are virtually invisible to the general public. Click here for event info.

Queen Mask | Kuba Mask | Paraguay Wooden Masks | African Wooden Masks

Zieher Smith: 516 W. 20th St. New York, NY 10011

 

Making a Kangaroo Paw Pattern




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As I’ve been spending less time (read: no time) behind a cubicle, I’ve been illustrating a lot more. After a day’s work, post dinner, I’ve been pulling out the markers, illustrating, then throwing the designs into photoshop before bed.

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Here’s last night’s project: Kangaroo Paws in a few favorite colorways.

 

Tuesday's Gallery Picks




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This week’s gallery picks explore global and cultural issues in diverse textural form.

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1. Steven Baldi takes over this week at “Territory” at Thomas Duncan Gallery
2. Scott Olson’s painting practice is rooted in a deep fascination with painting’s materials, tools, and history at Wallspace
3. Thomas Ruff’s abstract “photograms” and “ma.r.s” photographs at David Zwirner
4. Rachel Owens creates fascinating patchworks that address global and environmental concerns at Track 13 Gallery
5. Jason Hackenwerth’s Pisces sculpture is made out of 10,000 balloons at Edinburgh International Science Festival
6. Andrew Kau’s striking chart paintings in “You Say Tomato” at Malborough Chelsea

 

Tracking Repetitive + Awesome.
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