Pattern Pulp

Color Stories & Cartoon Cred




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For anyone who follows the evolution of seasonal retail, window display design, graphic trends and fashion advertising, they’ll notice these images aren’t exactly new. I’ve been sitting on them for a while. In addition to Pinterest, I have a ‘ready to post’ folder on my desktop filled with about 100 themes that get sorted daily. When the piece feels right, it goes live. For some reason, this cartoon collection and it’s distinct palette’s sat dormant for too long.

Does that mean it’s no longer relevant? Perhaps, but there’s a timelessness to the creative, directed primarily through the Comme Des Garcon campaign. I love the Topsy Turvy Tales, illustrated by W. Heath Robinson. With a title like, Pixy Twittertoes and Mr. Merrylegs, it doesn’t get much better than that.

The colors are unexpected and have a vintage appeal. Taking a page out of the same book, these Marc Jacob tights mimic the palette and this Upper East Side shrubbery is sculptural and kid-like, transporting us to Disney World or Bush Gardens. Utilizing a pink, yellow and blue tale, Barneys presents a modern day Lichtenstein, realized through office supplies and post-it notes.

 

Tuesday's Gallery Picks




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This week’s gallery picks examine the indelible marks that the past makes on the present.

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1. I Am Writing You Tomorrow artist Penny Hes Yassour’s work pays homage to Chinese ink painting and calligraphy, exploring how meaning is constructed and conveyed in visual art at Pacific Asia Museum
2. Juan Manuel Echavarría’s striking photographs depict the consequences of the endless Colombian drug wars at Josée Bienvenu Gallery
3. Hank Willis Thomas scoured numerous publications and archives looking for graphics, images and audio that exemplify, through popular culture, South Africa’s recent history. at Goodman Gallery
4. Prune Nourry’s Terracotta Daughters is composed by 108 life size sculptures, paying respect to Xi’an, China’s Terracotta Soldiers while turning traditional ideas on their head at Magda Danysz Gallery
5. Jennifer Trask does fascinating work blending bone with botany at Lisa Sette Gallery
6. Joana Vasconcelos explores her roots at Manchester Galleries

Tuesday's Gallery Picks




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It’s all about the ladies in this week’s choice gallery picks!

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1. This exhibition spotlights women artists who use media traditionally associated with women and painters whose subject matter speaks of women’s lives and concerns at Seager Gray Gallery
2. Mel Kadel’s All Tied Up at Merry Karnowsky Gallery
3. Bravely exposing personal traumas, fantasies, and nightmares, Maria Lassnig’s art offers instruction for courageous living in a time of increasingly spectacularized social interaction. at MoMA PS1
4. Beautiful children dressed like small monarchs reign against a backdrop of velvet and brocade, adorned with a crown that looks like a headset, bringing them into contemporary world despite the Baroque atmosphere at Zipper Galeria
5. Leah Fraser’s latest work is based on stories of diverse cultures worldwide at Arthouse Gallery
6. Dressed in costumes and masks she has collected on her travels, Jacqui Stockdale’s hybrid characters are layered with cross-cultural and personal references at Helen Gory

Gender & Paralleling Illustration Styles




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Lately, I’ve been spending a lot of time on Pinterest. Part of it’s due to a few social media assignments for various clients, and the other part is a renewed interest in home decor and dying techniques. Interestingly, Geoff McFetridge, an artist I’ve always loved, has been populating my feed quite a bit. Much of his recent work reminds me of a style I’m used to seeing in Olimpia Zagnoli‘s illustrations. When you take a closer look though, each artist may use bold, abstract shapes, though the story lines are extremely different.

McFetridge’s recent work feels quite sexualized when you view the grouping together. Men are men, and women are welcoming of men. At first, you don’t think much of it, as the perspective and lack of detail throws you off. The design feels quite simple, but the longer you sit with it, the complexities and storyline grows. Themes of exposure, individuality, disguise and personal space seem to be markers of this series. In comparing the works side by side, you notice the difference in artistic nuance.

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Zagnoli’s woman has a coyishness to her that feels defiant. She seems stylish and quirky, and an equal player amidst male counterparts. Her shapes and color palette have greater contrast and present what feels like an uptown woman (where McFetridge’s female feels younger and more exploratory of herself).  I have to believe neither artist wants to be compared to one another, but when works have been pinned alongside one another, it’s hard not to notice a narrative and comment on the parallels and differences. Curious, what do you all think?

 

Tuesday's Gallery Picks




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Our artists are plucking the strings of reality with sculpture and installations in this week’s gallery picks.

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1. Jacob Hashimoto’s work studies visual experience in space, artifice, and craft through the use of materials such as handmade kites, fiberglass, marble and the skillful use of light at MOCA
2. Stories told with Astrid Svangren’s installation at Maria Stenfors
3. Sarah Cain’s site-specific work responds to the physical, psychic, and emotional space of the gallery as well as Cain’s time in New York at Galerie Lelong
4. “Study from the Human Body” captures the complex discourse on the human form by aligning the timeless influence of Francis Bacon and Henry Moore. with a diverse group of international contemporary artists working today at Stephen Friedman Gallery
5. Li Hongbo’s stunning, stretchable, paper sculptures, inspired by both traditional folk art and his time as a student learning to sculpt, challenge our perceptions at Klein Sun Gallery
6. Francis Upritchard’s painted sculptures, or, perhaps, sculpted paintings, draw on the gothic tradition of Erasmus Grasser and Lucas Cranach as much as contemporary folk and psychedelia. They are slanted archetypes such as the withered fool or the haute couture blind man at Kate MacGarry

Color & Flow with William Eggleston




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Most us of know William Eggleston through his photography. Today I wanted to share a few drawings from his 2009 interview with Melissa Harris for Aperture Magazine.  Referencing Gerhard Richter and Ed Ruscha as his favorite artists and influences from Willem de Kooning and Vasily Kandinsky, it seems easy to connect the visual dots when looking at these works. The color and movement are balanced and full of life, much like his other work.

“When I get a new set of prints, I always initially look at them upside-down, because that helps me to look at them when they are right-side-up. I always notice something that I wouldn’t otherwise see.”

 

Tracking Repetitive + Awesome.
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