Pattern Pulp

Cycling Climbs & Textured Landscapes




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Artists often see the world through varied prisms. It almost doesn’t matter if graphic elements are manmade or within natural habitats, they pop through visual texture. Nigel Peake, the illustrator behind In the City, recently released 20 prints, illustrating this concept. The collection follows his biking travails and is called Cycling Climbs. The infographics merged with geometry and illustration create a beautiful storyline. If you’re your a fan of art, cycling and/or landscape development, this 44 page publication is for you.

 

Spotting Ceramic Tiles in Morocco




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This post seems so obvious, I almost second guessed adding it to the reel, but tiling is and always has been integral to Moroccan culture that it would be crazy not to share some of the patterns and mosaic work from my travels around the country. The colors shifted from vibrant to subdued and were dispersed with care and geometric precision depending on location.

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The storefronts, restaurants, houses of prayer and general architecture were a maze of intersecting patterns. Merged with cement and clay, these glazed geometric formations told stories of each location. Jewish stars covered the old synagogue in Marrakesh while abstract landscapes covered shops along the High Atlas Mountains.

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While in Fez, I visited a workshop that documented the ancient technique – vats of clay would be baked in the sun then turned into long slabs. They’d then be scored and cut by local craftsmen, then glazed and placed into patterned formations. Bowls and table wear would be painted, while walls would be laid and spackled. The entire process was as beautiful as it was laborious- something that almost feels nostalgic with today’s design and construction methods.

 

Tuesday's Gallery Picks




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Textiles are the thread that links this week’s gallery picks.

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1. Working with repurposed materials, Ben Venom combines the often menacing and combative countercultural imagery of biker gangs, metal music and the occult with the comforts of domesticity in a series of quilts and textile-based works at Ever Gold Gallery
2. Exploring the impact of Chinese aesthetics on Western fashion, and how China has fueled the fashionable imagination for centuries at The Metropolitan Museum of Art
3. Jim Drain’s Seems/Seams at Various Small Fires
4. Anton Alvarez constructed The Thread-Wrapping Machine as his tool and medium. Used much like a DIY sewing machine with pedal control, the “wrapper” joins a mix of wood, plastic, metal, fur, felt, paint and other materials into bright, exuberant furniture. The exhibition will celebrate process, performance and craft, as well as design objects with and without “function” at Salon 94
5. Samantha Bittman’s new body of work includes a series of paintings on handwoven textiles, custom digitally printed wallpaper and a handmade tile floor sculpture at Johansson Projects
6. When considering tapestries and textile arts, images of pastoral landscapes and decorative designs come to mind. Erin M. Riley sources contemporary imagery from the Internet, exploring the millennial fascination for young women and self-portrait photography, colloquially referred to as “selfies” at Joshua Liner Gallery

Tuesday's Gallery Picks




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The artists in this week’s gallery picks explore duality.

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1. Leehyun Kim paints to reveal the emotion underneath the masked expressions of passersby at Pheonix Gallery
2. Fuel to the fire forms a bridge between the two figures Ricardo Brey unites within himself: on the one hand the historical artist at a crucial time in the history of Cuban art, and on the other the artist who lives and works in Flanders, and makes work that is highly contemporary, critical to the consumption of images and the slickness in which they now tend to dress themselves at Museum van Hedendaagse Kunst Antwerpen
3. Ryan Callanan aka RYCA draws upon a broad spectrum of Contemporary popular culture in his works; referencing film, music and art history that is often seen as refreshingly comic and accessible. With early influences including Andy Warhol and Roy Lichtenstein, Ryan would take classic Warhol imagery and replace its subject with Star Wars and other movie references in his work at Copro Gallery
4. Chloe Wise conflates so-called “guilty” commercial, gastronomical, and sexual pleasures—it bags, carb-rich breakfast foods, and fetish gear— creating imagined hybrids of frivolity and excess. Cast in urethane, strikingly painted with trompe l’oeil effects, and re-contextualized as art objects, food and fashion are rid of their use value and are planted firmly in the symbolic at Division Gallery
5. In his new body of work, Yinka Shonibare contemplates the changing state of the Earth’s climate and the human instinct for survival in the face of the extreme weather experienced worldwide. Rage of the Ballet Gods sees Shonibare connecting with myth to find solace in the fantastical during an unnerving time at James Cohan Gallery
6. “At the heart of these works is the eternal push and pull of the spirit. The two-headed beast, the twin within, living just beneath the skin, sharing the shell and breathing life in through the cracks. They are psychic creatures blistered by hope and beaten with twinges of nostalgia” Sarah Louise Davey on her works in The Garden of No Distant Place at Paradigm Arts

Tuesday's Gallery Picks




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The artists in this week’s gallery picks experiment with lines in surprising and playful ways.

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1. Robert Irwin has produced eight works that advance his use of fluorescent light, a material he first used in the 1970s. Irwin installs rows of columnar lights, coating the different tubes with colored gels that alter the transmission of light. Other tubes remain unlit taking some advantage of the reflected light at Pace Gallery
2. American artist Lloyd Martin, known internationally for his rhythmically constructed abstract painting, continues his engagement with color and line in this outstanding body of work at Stux Gallery
3. By employing gravity to manipulate printmaking grounds, Ian Davenport’s graphic works produce images that reflect the result the artist has achieved in his glossy pour paintings. The artworks continue his process-based investigation of the paradox between chance and control, the industrial and organic at Pace Prints
4. Hattie Stewart’s Adversary will take on glossy advertising imagery with Stewart’s characteristic homage-meets-satire approach at House of Illustration
5. Jimi Gleason’s silver deposit surfaces act as enigmatic mirrors that are activated by the viewer and the environment they are situated in. Light, color and form are injected into the paintings via the external world – through this movement, Gleason hopes to induce a meditative experience for his viewers at William Turner Gallery
6. Dipping and undulating lines make reference to animal and human body contours only to be interrupted by sharp turns that deny their voluptuousness in Josh Dihle’s work at Valerie Carberry Gallery

Tuesday's Gallery Picks




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This week’s gallery picks feature portraiture in the exploration of identity.

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1. Ramon Maiden’s “Turbo Faith, Ladies Of The Night & Dandy Delinquents” celebrates Barcelona’s junkies (‘kinki’s’); the authentic junkies, the one’s that truly had nothing to live for at Stolenspace
2. Rina Banerjee’s work investigates the possibilities of cultural identity; its relics, how we identify ourselves, and how that perception changes through the eyes of others at Jacob Lewis Gallery
3. Jouissance will feature new paintings made on found bed sheets, pillows, and curtains. Maslansky renders his images of anonymous figures in various states of undress and sexually charged activities in such a way that allows psychological and emotional readings of the found images he works from at Honor Fraser
4. The works presented in Kehinde Wiley: A New Republic raise questions about race, gender, and the politics of representation by portraying contemporary African American men and women using the conventions of traditional European portraiture at Brooklyn Museum
5. Known for her frank and revealing representations of the issues surrounding identity, Lucy Jones’ paintings address conventional notions of femininity, aging and disability, through her close observation of the self at Flowers Gallery
6. Tali Lennox’s Layers of Life is a reaction to the phenomena of social media, “selfies”, and casual narcissism at Catherine Ahnell Gallery

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