Pattern Pulp

Tuesday's Gallery Picks




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This week’s gallery picks highlight femininity, culture and the art of creation.

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1.Missy Weimer introduces new mixed media work she artist describes as exploring the “making of meaning”at Micaëla Contemporary Projects
2.Examining Picasso’s late transformation in style, as seen exclusively through the portraits of Jacqueline, his last and perhaps greatest love at Pace Gallery
3.Artist and designer Julie Verhoeven has created an immersive installation that explores concepts of femininity and how they are represented in popular culture, both past and present at Institute of Contemporary Arts
4.Möbius, González Palma’s latest body of work, juxtaposes the early 1900’s concretist/rationalist movement in Latin American art with the midcentury streak of intense nostalgia—also known as magical realism.at Lisa Sette Gallery
5.In Liz Collin’swork, art and applied design coexist: a painting is a rug is a blanket is a dress is wallpaper at Heller Gallery
6.Raised in Nigeria, Okore’s affinity for tactile and gristly elements from the semi-urban environs of Nsukka in south-eastern Nigeria, have inspired a body of works that broadly focus on transformation and regeneration of mundane ecological and man-made objects at David Krut Projects

Color Spotting in and Around L.A.




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At the end of October, my husband and I spent some time in LA. We had a wedding in Oakland, but figured it made sense to go a bit early, do some work, meet up with friends, and drive up the coast. Here are a few shots from my bouts around West Hollywood, Silverlake, Koreatown and Venice Beach.

Peach, blush and nude tones were still prevalent – they’ve had serious staying power for the past few years. A few favorites across the board were from A.P.C in the form of quilting, Ten Over Six as jewelry, ceramics and mobiles and Fred Segal, as a fringe leather and denim jacket. En Soie had quirky embroidery and printed saying on their womens’ and children’s accessories.

visiting LA 2a

Bold blue accents also held their own- either in combination with neutral palettes, or in tandem with other saturated brights. The two examples above are from Siglo Moderno, a luxury design showroom and Chariots on Fire, a beautifully curated home accessories shop. We also ate at Commissary, which had the most interesting menu. I wanted to include it, as the mix and match theme seemed to be a new update to my dining travails in L.A. At the few new places we visited, lots of various non-related plates were encouraged – most of which were unhealthy, but delicious. In a city obsessed with image, health and clean food, it almost seemed like a direct reaction to a trend that’s defined the area for so long. Anyone else feel the same way?

 

Friday Quick Links!




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1. Retro summer pics, because we just had our first snow via Miss Moss
2. Loving this pattern filled calendar via The Jealous Curator
3. A very modern DIY Christmas tree via design*sponge
4. You should probably make these adorable clay coasters via Oh Joy!
5. DIY citrus wreathe via Poppytalk
6. Photographing quantum mechanics blackboards around the world via We The Urban
7. Lovely DIY God’s eyes via Honestly WTF
8. Pretty desktop wallpapers from KT Smail via Designlovefest
9. A quirky take on the Christmas tree via Present & Correct
10. Wanting this glow in the dark wood table via Colossal
11. Delectable handmade tableware from Studio One Studio via Design Crush
12. Ready to wear straight out of the printer! via design-milk

Contributed by Emily Gup

Power Plays & Transparent Barriers




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I recently worked on four sets of FW 16/17 palettes for The Color Association for our biannual meeting. Whenever it’s time to convene, I spend a few weeks fixated on key visuals from the fashion, art, news and technology worlds and try to wrap my head around general cultural themes that have evolutional staying power.

I collect imagery and toy with ideas tied to politics, pop culture and generational shifts while attempting to trust my gut with what’s relevant and what feels tired. Sometimes it’s optimistic, other times it’s a bit grim. Mostly though, it’s a balancing act of positive and negative forces.

Here are a few magazine tears that caught my eye and fed some of my thinking in the last report. The palettes are for women’s fashion, so I always try to consider the commercial messaging I’m being fed. These fence and fishnet themes kept popping up in the pages of editorial shoots and fashion advertising. Looking at them, I see lust, capture, bondage, transparency, barriers, and female role playing.

Personally, this not-so-subtle messaging seems to both endorse and artistically react to the sexualization and confinement of women, a theme with unfortunate staying power in past and present realities.

This imagery contradicts the Lean In mentality society embraced in 2013.  Can you imagine Tavi Gevinson, Taylor Swift or Leandra Medine – all thought leaders and Gen Y role models modeling in fetishized meek poses? It seems to go against the grain of art by women for women – especially with a lack of underlying humor and irony (except for maybe the blue face mask).

There’s a fine line between art, fashion and propaganda, and while these magazine pages have abstract beauty to them, they also convey stark messaging. It’s simply hard to detach them from today’s political matters – specifically in regard to gender power plays and violence against women. In absorbing these works as a whole, I wonder where we’re headed over the next few years.

I’m also curious how you all read into them. Are you seeing what I’m seeing? And, does the 2016 election paint a brighter picture for women or are we just momentarily circulating within a culture that celebrates these ideals?

Making Textiles with Maruja




Here’s a little reminder of the tlc that goes into screen printing fabric. The step-by-step process can be tedious, but yields beautiful results. This pattern belongs to Maruja and was printed at a factory in Red Hook. I love how the video was made- it allows the viewer to follow along in the creative process and visualize how an illustration can become a textile.

 

Tuesday's Gallery Picks




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Nerds rejoice! This week’s gallery picks highlight the delight of books and the written word.

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1. In this exhibition of new work, Sam Jaffe continues her investigation into the tensions between the handmade and the industrial made. Jaffe states, “Above all, my work is about surrendering to materials and the fetishistic nature of material culture.” at 65GRAND
2. The Archives, Tony Bevan’s latest series, sees the artist taking on infinite space. Inspired by Jorge Luis Borges’ “The Library of Babel”, a story depicting the universe as a library, these labyrinthine repositories of books allude to the vast spaces of the imagination at Ben Brown Fine Arts
3. When Danae Falliers explored the extraordinary, Rem Koolhaas-designed, Seattle Public Library, she photographed the building and its endless stacks and shelves of neatly organized books. Due to the relatively low lighting conditions, all of the text along the book spines softly disappeared, and Falliers recognized that her library photographs had edged closer to pure abstraction, an idea that she with ran with when creating the work for this exhibition at Craig Krull Gallery
4. Charlotte Cornation’s porcelain books inspired by her oniric life using Jung dream interpretation at Galerie BSL
5. Dwyer Kilcollin latest work is deeply invested in an examination of the image from the inside out. Kilcollin’s work encapsulates a fluency in the virtual that is subsequently rendered materially-cast by hand using a gestural application of crushed rock and resin.  Many of the works evoke familiar forms: a sweater, a book, a backpack, a pair of binoculars-their forms pigmented by the view beyond the fence  at M+B
6. In Self Illuminated, Christine La Sala asks, “What can we learn from The Giant Quiz Book?” This propels her to explore the possibility of illumination through assemblage, dioramas, and light, offering interpretations on questions from the book at Alter Space

Tracking Repetitive + Awesome.
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