This week’s artists are driven by their curiosity about the world and methods of perception.

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1. Gergö Szinyova’s latest work, the industrial hues of grey, ochre, violet and spearmint reflect on the imagery that influence his painting, gathered from browsing the internet for photographs of modernist environments. The artist translates the experience of browsing, and the urban human environment, as an abstracted memory of kinetic gestures and hidden content at Anat Ebgi
2. Ruth Tabancay’s latest work spins the hexagonal form into various configurations and renders them in a range of materials that correlate to the concepts of the finished work. Tabancay is driven here by a childlike fascination with geometry, and an educated intellectual curiosity about microbiology at Mercury Twenty
3. Broken Colours features six artists whose works employ color as a near material.  It considers how a schismatic chromatic composition might lead to an integrated structural form, and vice versa at Nicholas Metivier Gallery
4. Liz K. Miller has created a new language to communicate musical scores to produce the intricate etchings and prints presented in this exhibition. The premise for these works is the use of the repetitive motifs that occur in music in order to generate concentric patterns. The resulting imagery looks like it could have naturally occurred or grown, like constellation patterns or rings of a tree at BEARSPACE
5. While many former graffiti artists drop their pseudonyms when they enter the world of art, Jason Williams (aka Revok) refused. In Revok, he goes beyond the self to examine perceptions of consciousness and unconsciousness at Ruttkowski;68
6. Inspired by his Brazilian heritage, Fernando Chamarelli channels the disparateness of his cultural environment through his work, tapping into his country’s rich history of contrasts and coexisting diversities at Thinkspace