Pattern Pulp

The Traveling Slideluck Potshow




Lately I’ve been filling a void and consuming as much live art as possible. For a good part of the year, work, life and the internet’s gotten the best of me and I’ve found myself sitting behind the computer only getting a 2D fill. With that said, I’ve made it my mission this Fall and Winter to get back out there. Last night, my friend Katie suggested we support the Slideluck Potshow, an organization devoted to bringing food, art and entertainment together.

To raise money and get the crowd going, there was a silent and live auction. I have to say I was pretty restrained and withheld from bidding. The art was impressively reasonable, and good! Here’s a shot of the most remarkable feather denim jacket, my lovely friends and two impressive works from the evening.

 

Book Review: D&AD 2011




As 2011 heads steadily toward the New Year, people start to think about the holidays and review the past twelve months. With that in mind, for this week’s book review we have up for offer D&AD 2011, which feature’s the year’s best creative work. The D&AD awards panel judges over 20,000 works from design studios, ad agencies, branding consultancies, film production agencies, digital media pioneers, and other creative firms from all over the globe. Winners receive the legendary D&AD Yellow Pencil Award—or in the case of exceptional and outstanding work, the rare Black Pencil Award. This review of the winners serves as a one-stop-shop for everything that’s hot in the field. Anyone interested in creativity, communication, design, or advertising would love to have D&AD Annual for their coffee tables and book shelves.

 

Textile Design with Lina Moysis




It’s always a treat to meet the talent behind the art and today I present you with Lina Moysis. Her illustrations and paintings pepper the print, marketing and clothing at Urban Outfitters and Free People. I asked her to share her inspiration and working style and was incredibly impressed with her response. She’s one smart cookie.

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I’m inspired by history, by how it morphs our environments and how it is woven into our experiences. These layers are evident in every environment, from clamoring cities to quiet countrysides. I find those histories to be most inspiring. As a designer, this finds its way into my process, from the subject matter of my art to the significance it has in my own life…from the colors I see to the people that I meet.  As a textile design, I find these histories repeated time and time again, each era redefining the past to make the history it’s own. Each era responding to it’s environment while simultaneously influencing it. Pattern’s role is just that. A constant dialogue of histories both past and present.

My time as a designer at Free People has influenced and encouraged me to ask questions of my own. Free People’s aesthetic and ideology lies in it’s roots. It draws it’s inspiration from history and cultures worldwide. As the audience, we feel connected to this aesthetic because we’re familiar with it. The textures of these histories are tangible. And yet, something new is created out of the past based on current trends so that the final product is both familiar and new. My creative process is very similar..familiar and new. I love the texture of real paint and pencil- of tactile materials. I feel that we yearn for the tangible in a digital age. That there is a way to reconcile both the past and the present. I explore this.

 

Kate Spade & Papier-mâché Stripes




Anyone who spends time with me knows I love video and am always recommending it to clients when branching out into editorial content. Between the massive budgets that produce seasonal campaigns and homemade flip camera productions, there’s a swath of space in between to produce films on a budget and today’s Kate Spade feature is a perfect example. Enjoy.

 

Pattern People x Ace Hotel




Our friends Claudia Brown and Jessie Whipple Vickery at Pattern People have some cool projects up their sleeves. Today I present you with their latest and greatest – a collaboration with the Ace Hotel in Portland.

On October 1st, Pattern People was tasked with designing their dream room for a day. Their idea resulted in all-over patterns (obviously) from wallpaper to bedding to pillows. Instead of working at full-scale, they recreated a miniature room complete with tiny furniture, plants, lights and of course, surface designs. As the finishing touch, the diorama featured a fish eye peep-hole, adding to the miniature magic.

 

Custom Dressmaking with Ashley Galloway




Meet Ashley Galloway. She’s both a friend and a source of creative inspiration. She currently lives in London and walked me through the Power of Making exhibition at the V&A a few weeks ago while I was in town visiting. With a background in photography spanning the magazine publishing and art worlds, her eye for curation is impeccable. On a recent family trip to Cape Town, she put her fashion sense to work pairing up with a local tailor to design custom clothing using African textiles. Here’s her personal account, I love the idea.

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I have a love for textiles and through my travels I’ve collected many unique pieces.  In 2004 I was in Cape Town, South Africa and had a custom embroidered muumuu created at the Pan African Market.  When I returned this fall I went to the same clothier and created the two-piece, skirt and blouse from his range of fabrics.  I mixed and matched the fabrics to get the right combination.  For the outfit on the left, I chose two fabrics that had similar sized patterns, the same pallet of oranges and blues, and also complimentary flow in the patterns with a lot of vertical movement.

The outfit on the right is a faux polka dot pattern made of images of Guinea fowl, which are native to Africa (I had an encounter with some in a garden earlier that day).  I like using similar colors and mixing patterns to get the ‘it’s so wrong it’s right’ feel  – it’s bold but not over-the-top.

The dressmaker took my measurements and I described my vision of a high wasted pencil skirt to the knee and a simple, fitted blouse.  Further down Long Street I found the Mali Custom South African Designed Couture and was mesmerized by their fabric samples.  I bought several pieces of fabric for my collection and chose the fabric for the dress pictured in the middle.  I spoke to the tailor and described the design that I thought suited the fabric’s pattern – a halter dress, highlighting the paneled shapes of the pattern at the neckline, with a sash to accentuate the natural waistline created by the three sections of the fabric’s pattern.  He was as excited as I was about my new clothes!

Though I drew influence from the recent season’s trends of mixing textures and patterns and Burberry Prorsum’s Spring ’12 Collection, I have always been inspired by the vibrant textiles of Africa and I thought these bold patterns, made into modern silhouettes, would suit my life when I returned home.

 

Tracking Repetitive + Awesome.
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