Pattern Pulp

Friday Quick Links!




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1. Ingrid Bugge,’s beautiful ballet photographs via Trendland
2. Doug Fogelson’s mesmerizing photograms of natural specimens via HI-Fructose
3. Sebastian Erras’ series Barcelona Floors via Design Boom
4. Stéphanie Caulier‘s oversized hand knits look so cozy! via Honestly WTF
5. Kangan Arora’s Punjab inspired textiles via AnOther Mag
6. Creating Loving Van Gogh via Colossal
7. A fan of Janelle Pietrzak’s textile art via Sight Unseen
8. Talking with artist Xochi Solis via The Jealous Curator
9. What do you think about quilted coats? via The House that Lars Built
10. Inigo Elizalde’s environment inspired abstract graphic rugs via design-milk
11. Interview with Clea Cregan of Miniscapes via The Design Files
12. On shooting for The 1975 via Creative Review

Contributed by Emily Gup

Tuesday’s Gallery Picks




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Training our eyes on personality, perspective and the art of the gesture in this week’s gallery picks.

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1. Our perception of space, our engagement with space, and through it, our interaction with each other, has never been more pertinent as a topic for exploration. Just as the adoption of perspective as a means of representing reality became synonymous with how Europe positioned itself with a view to the rest of the world in the 15th Century and beyond, so our attempts to rethink this use of perspective in art, could have a profound effect on what happens in our age, and in the future at Grimm Gallery
2. Helen Levitt’s playfully poetic photographs, made over the course of sixty years on the streets of her native New York City, are notable for the way they find delightful twists within the daily lives of her subjects. One thing that set Levitt apart from the more socially concerned documentary street photographers of her time was her focus on the body language of her subjects. Frequently what her photographs are most about are dance-like gestures; by turns elegant, or comic, and sometimes both at once at Laurence Miller Gallery
3. Menagerie showcases an eclectic body of work from some of the most recognized names in photography at Michael Hoppen Gallery
4. Anthony Lycett’s Self-Styled includes more than 200 diptychs representing eccentrics, dandies, punk, gothic, transvestites and the vanguard of London and Paris at Isabelle Gounod Gallery
5. Within seemingly vacant, haunted domestic and public spaces, Farley Aguilar’s distorted characters populate familiar scenarios of unrest, disquiet, and active protest. There are hints of the figures looking outward, beyond their present conditions, but they remain static and dazed at Spinello Projects
6. The Age Of Innocence compares Andy Rementer’s urban tales to Fulvio Mendini’s Edenic allegories, drawing attention to their shared graphic matrix, the terse tendency and the predilection for flat colors and bright hues. Both artists build a hypothetical and sublimated world, dominated by geometry, where characters, objects and places pave the way to the discovery of additional, multiple dimensions at Antonio Colombo Arte Contemporanea

Friday Quick Links!




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1. The amazing tiled ceilings of centuries old mosques via Colossal
2. Turning freighter trucks into mobile art via design boom
3. Alexandra Kehayoglou’s creation of a magical fashion runway via Honestly WTF
4. Digging the way Erika Emerén colors concrete via Sight Unseen
5. Talking with painter Samantha French via The Jealous Curator
6. Empowering refugees through design via Trendland
7. Katerina Belkina’s self-portraits that emulate the masters via Miss Moss
8. An interview with painter Andrea Shaw via The Design Files
9. Maria Gil Ulldemolins’ meditative paintings via Design Crush
10. Carson Ellis‘ lovely wallpaper designs for Portland’s Juju Papers via design*sponge
11. Johannes Mundinger’s colorful murals via Hi-Fructose
12. A surreal stained-glass amoeba in the forest via booooooom

Contributed by Emily Gup

Tuesday's Gallery Picks




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This week’s gallery picks dip into the environments we create and inhibit.

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1. Twelve artists explore the psychological impact of recreating the world in tiny proportion and offer viewers an opportunity to Feel Big, Live Small in this multi-media exhibition. This display includes more than twenty works of art comprised of three-dimensional miniatures as well as photographs, digital images and video created with miniature sets at The Mini Time Machine
2. Artist and ocean advocate Courtney Mattison creates large scale ceramic installations and sculptures inspired by science and marine biology. Her intricate hand-crafted porcelain works celebrate the fragile beauty of endangered coral reef ecosystems and promote awareness to conserve and protect our natural world at Virginia Museum of Contemporary Art
3. The ocean makes up 71 percent of our planet’s surface. So, how is it that we know more about Mars than the marine environments of Earth? As impenetrable as the deep oceans are to humans, we imperviously live in a black box of international shipping, reducing the ocean to a surface rather than an environmental force. Martin Zurkow’s MORE&MORE is a socioeconomic, post-natural foray into the infrastructure of global trade: a systemic means to a never-ending end of economic growth at bitforms gallery
4. In his new body of work, Jason Salavon explores the ways in which infinite variation and permutation—supercharged by large networks—is the engine of our exploding digitized culture. Debuting 14 new works in a variety of media, the artist furthers his investigation of the vast visual capacity engendered by an ever-advancing social and technological landscape. With an emphasis on the recent massive exponential growth of digital data, Salavon uses pop cultural touchstones to guide us through various examples of the unbounded possibilities of this phenomenon at Mark Moore Gallery
5. Jenny Odell and Philip Buscemi create The Bureau of Suspended Objects, a series of window-like displays of objects in a cabinet of curiosities manner. Following a residency at Recology SF, Odell’s work has focused on the ways in which manufactured objects circulate from the factory to our homes, and how our sentimental attachment to objects changes their initial commercial value. The objects (whether brand new, in-use, or trash) become tools for an investigation into the ways we invest and divest values into and from material goods, and ultimately on the powers of visual merchandising at Contemporary Jewish Museum
6. Simon Evans misappropriates various characteristic tools for the objective depiction of reality, so as to compose radically subjective work. Embodying forms of dialogue between his interiority and the world, his pieces act as much as a research for the meaning to allot to individual experience, as a permanent exercise in the re-appropriation of the everyday at Palais de Tokyo

Friday Quick Links!




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1. Behind the masks of West Africa via CNN
2. Inside the studio of ceramicist Holly Macdonald via The Design Files
3. How to make paper hellebores via design*sponge
4. Have fun with this DIY candlestick cake stand via Poppytalk
5. Love wallpaper, but living in a rental? via Oh Joy!
6. Wanted all of Semikah Textiles’s rugs, pillows and baskets via Honestly WTF
7. Not your usual basketball hoops via Hi-Fructose
8. These Eco Deer wall planters via Miss Moss
9. Making wallpaper in the 1960’s via Colossal
10. Zodiac piñatas! via The House that Lars Built
11. Sharon Muir stunning earthy yet graphic vessels via Design Crush
12. The bond between Haute Couture and prêt-à-porter via Yatzer

Contributed by Emily Gup

Tuesday's Gallery Picks




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This week’s gallery picks examine the art of science and technology.

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1. Louise Despont’s Energy Scaffolds and Information Architecture examines the movement of energy at The Drawing Center
2. For Lights Out, Michael Kagan reinforces his fascination with man’s moments of triumph over nature’s limits captured through iconic imagery at Joshua Liner Gallery
3. Larissa Fassler’s work is constructed out of a mass of topographic tracking, sketches, observations, and feelings that she experiences on site, and that are then synthesized into large graphic compositions, models, and sculptures at Jérôme Poggi Gallery
4. Agostino Arrivabene’s approach to painting stems from his artistic influences Gustave Moreau and Odd Nerdrum. He follows traditional methods that include grinding his own pigments and the almost forgotten technique of mischtechnik. This attention to the minutiae has resulted in Arrivabene’s paintings actually embodying a process of alchemical transformation, in which the physical matter of painting itself is transmuted into extraordinary light-filled visions at Cara Gallery
5. Felipe Pantone’s “W3-DIMENSIONAL” takes inspiration from Teilhard de Chardin’s 1950’s theories, which postulated the existence of “an enveloping sphere of thought, a living tissue of consciousness, enclosing the Earth and growing ever more dense.” at Mirus Gallery
6. Laura Poitras’ Astro Noise examines our modern era of mass surveillance at Whitney Museum of American Art

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